Showing posts with label literature. Show all posts
Showing posts with label literature. Show all posts

Tombstone: An Iliad of the Southwest Review

Tombstone: An Iliad of the Southwest
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Walter Noble Burns looked up Wyatt Earp with a view toward writing a story about him, as he had about Billy the Kid. His Billy the Kid helped establish once and for all the legendary status of the Kid. Wyatt Earp reported Burn's first visit to his friend, movie star, Wm. S. Hart, saying he was happily convinced Wyatt would allow him to do his story.
Unfortunately, for both Burns and Earp, Wyatt's friend John H. Flood Jr. had just written Wyatt's story, which was being circulated to publishers with the help of Wm. S. Hart. More unfortunately was that Earp loyally declined Burn's offer out of regard for Flood. The rub there turned out to be that Flood obviously couldn't write for beans. (Ask me. I found, bought and published his work after historians had sought for years this rare document, all copies of which had dropped out of sight.) As one editor said of Flood's work, it was "stilted and florid and diffuse." That may have been an understatement.
In any case, shifty Burns, despite what others have more kindly said about the sequel, tricked Wyatt into thinking he would instead do a book on Wyatt's intimate, Doc Holliday. And under that pretext he got a lot out of Wyatt, and used it to do a book that Wyatt finally concluded, was more about him than Doc. In fact when it occurred to him that he'd been tricked out of what amounted to the most interesting part of his life story he considered suing Burns. His friend Hart encouraged him, and thought he'd probably win big time. But suits cost time and money just as they do today. Moreover, Wyatt was old and tired. So Burns got away with his trickery, and brought out one of the most interesting, and accurate, books on what had gone on during what could be called the Earp, Behan, Clanton, McLaury, Cowboy Gang Feud. Behan was the crooked sheriff in spades. Burns did not learn that beneath much of the violence at Tombstone lay the fact that Wyatt had swiped the sheriff's cute, young, gal, Josephine Sarah Marcus. (Who later became his third and last wife, at least by common-law.) SEE THE STORY OF HER LIFE WITH WYATT ON AMAZON: "I MARRIED WYATT EARP."
Burns success in portraying things as they were was based on the fact that he found many of the participants still living, just as he had in the case of Billy the Kid. Burns was, however, basically a tenderfoot. For example, while researching Wyatt, an idea for another book occurred to him to cover the shenanigans of the many colorful old timers out in Cochise County, and he proposed to have the father of my old friend Ben Sanders act as his oracle and guide in seeking out old scoundrels. Bill Sanders reaction was: "You must be joking. These people are my neighbors!" If the implication isn't obvious to law professors from back East and that sort, he meant he'd have to move out if he blew the whistle.
In any case, this is a book well worth reading. It's author ended a colorful career shortly after the book came out, by dying quite young. Pity.
There is less fiction here than modern writers, who are shot in the pants with debunking, would like us to believe. Burns knew the foremost guide to writing such books was "stick to the facts, till you run out of them, and only make up as much as you have to in order to eat regularly." Editorial ethics then and now were much the same. In any case, Burns was not "stilted and florid and diffuse."
Since Flood's Ms. was not saleable, when Stuart Lake came along a few years later he took it over and made it that way. And Lake's so-called biography of Wyatt is a lot more truth than fiction. Read it, too: WYATT EARP: FRONTIER MARSHAL.
Burns was the first of the big name writers that started Wyatt Earp on the trail to fame and eventualy six-shooter Sainthood. I have a notion Wyatt would have liked the money in it, but not necessarily the fuss and bother of meeting celebrity seekers.

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African American Humor: The Best Black Comedy from Slavery to Today (The Library of Black America series) Review

African American Humor: The Best Black Comedy from Slavery to Today (The Library of Black America series)
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This collection of African American humor will take you from the beginning to the end, approximately from the 1800s to present day. Learn how slaves coped with their hardships behind the guise of humor that was directed at their masters without them ever catching onto it. See how their humor changed when African Americans were integrated into American society, how fierce and forthright it became, and come all the way to present day to comedians like Chris Rock and Richard Pryor. This book has many parts and selections from various authors. Some of the early selections are difficult to follow, for the language is traditional slave language, but later selections are much easier. I would definitely recommend this to anyone who likes culture and likes to laugh.

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The Shadow Isle: Book Three of The Silver Wyrm Review

The Shadow Isle: Book Three of The Silver Wyrm
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My first reaction when seeing the note that The Shadowed Isle is not the last book in the great Deverry cycle was angst that I had to wait again for another book, then a great flood of relief, as I could not figure out how even the almighty Kit could have brought this series to a satisfactory ending in just one book after The Spirit Stone.
I wholeheartedly recommend the entire Deverry saga, and if you have not read them all, you are missing a great deal. It seems to me that DAW is trying to have the Silver Wyrm segment "stand alone" a bit, but that is practically impossible when you consider the lovely complexity of the entire set of works. The Shadow Isle is building up to another climax in a series that has already contained three impressive climaxes. Conflicts that span many lifetimes are coming to a head or being brought to a close, with new "knots" arriving in this novel that I certainly did not see coming, even having read and re-read every other book.
If you've read any of the other Deverry books, you already know you want this book - and probably pretty badly! If you have not read a Deverry book, start with Daggerspell and enjoy the journey. It's worth it.

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These High, Green Hills (The Mitford Years #3) Review

These High, Green Hills (The Mitford Years #3)
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There is just something special about Mitford, North Carolina. Jan Karon has created a magical yet ordinary place, with memorable, endearing characters. I love these novels and enjoy each and every trip I take back.
In the 3rd installment, things are looking up! Father Timothy and Cynthia are settling into married life, and the marvels at having a soul mate after Tim's 60-plus years of bachelorhood has yet to stop amazing him. Their first year will definitely be an adventurous one -- a camping trip gone awry; a 90th birthday party for Timothy's favorite parishioner, Sadie Baxter; the opening of the new nursing home, Hope House; as well as a few newcomers to the Mitford community. And of course all of our favorite characters, like Dooley, Mule and Fancy Skinner, and J.C. Hogan, and places, like The Grill, The Porter Place, and Fernback are back in full swing. Reading these books feel like the best a family reunion has to offer.
A helpful hint for those who are reading the books in order: Book 6 actually fits in between book 2 and 3 -- it is a detailed story of Timothy and Cynthia's wedding. I read it before reading These High, Green Hills. I suggest doing this if you are the type of reader that likes things in chronological order.
I can't wait to continue on with the series. There is a certain beauty about these books, a calming, soothing beauty that makes me want to pack up and move to Mitford! Although not novels of huge, twisting, turning action, Jan Karon manages to turn the ordinary things of life into great milestones. I applaud her and the rewards I receive every time I visit.

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The Known World: A Novel Review

The Known World: A Novel
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Edward P. Jones tackles a difficult subject with depth and courage. Unlike other reviews listed here, I did not find his prose difficult, but enjoyed its richness and color, and found "The Known World" filled with flawed and genuine people of all races who grapple with slavery-America's "peculiar institution"-in a way that will surprise and compel readers.
Mourners come to Manchester County, Virginia to bury Henry Townsend and comfort his widow Caldonia. Henry was only 31 years old, a successful landowner and the owner of 33 slaves. He was also black, and a former slave himself. His human property learned from the start that working for a black master was no different from working for a white-or an Indian, for that matter. But they hold out the tiniest shred of hope that Caldonia, who was born free, will free them.
Henry's father Augustus bought his own freedom from his owner, Bill Robbins. He then worked to buy his wife, and then his son. But Henry always felt more affinity with Robbins than he did with his own family, shocking his parents when he buys his first slave. There are a number of black and Cherokee slave owners in the area who look on slaves with perhaps even more dispassionate eyes than do their white neighbors. "The legacy," Henry's mother-in-law calls his slaves when Caldonia briefly considers manumitting them. "Don't throw away the legacy."
I have never found a book that looks at slavery like "The Known World" does. Throw your preconceived notions out the window and be prepared to be completely pulled into a world where, no matter the characters' race, nothing is black and white.

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Death Comes for the Archbishop (Vintage Classics) Review

Death Comes for the Archbishop (Vintage Classics)
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Based on two real life French Catholic priests who were sent to the American Southwest in 1851, Willa Cather's 1927 novel captures the essence of their experiences. The Mexican people, formerly ruled by Spain, had been Catholic for centuries and welcomed the Bishop, Jean Marie Latour, and his Vicar, Father Joseph. As the two men travel through the countryside, it is clear that the landscape itself is a major character in this novel. Ms. Cather's descriptions brought me right there and I could almost breath the perfume of the earth as well as feel the impact of the mountains of rock and open desert.
In what reads like a series of short stories, the priests travel throughout the area and meet a wide variety of people along the way. Always, their adventures take on mythical and religious significance, such as when Father Latour finds himself quite lost and then sees a juniper tree in the shape of a cross that leads him to food and shelter. Each of these stories has a crisis and each crisis is answered by a religious experience. This deepens the faith of the two priests who share their common religious feelings even though they have very different personalities.
Ms. Cather had the uncanny ability to capture exactly what each character felt and let the reader experience it moment to moment. Her detailed descriptions are many faceted. For example she uses the character of Kit Carson to show both gentleness and compassion as well as vile cruelty to the Indians. Always, she just lays out the story and lets the reader make his or her own judgments.
One of the problems I had with the book was my own desire to have the priests confront some difficult choice. That didn't happen. Their faith was always there. And, if there were any demons for them to conquer, it might have been a very subtle pride in what they were doing. In my mind, it made them just a little too perfect to identify with. This, however, was obviously not the author's intention which was to tell the tale as she saw it, filled with simple miracles and a loving testament to these two men whose impact can still be felt centuries later. It was a good book. I recommend it.

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Terms of Love Review

Terms of Love
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Sorry for the delay in doing this. This book came to me in great condition and very fast.

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First Footsteps in East Africa Review

First Footsteps in East Africa
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Though I was aware of Burton before reading this text, I had no idea how much I would enjoy his writing. His language is eloquent, with an almost stereotypically dry British wit, especially as he describes his companions. At times, Burton seems to lose himself in the aesthetic response to Africa's environment, allowing his writing to swell to almost purple prose in his descriptions.
I also enjoyed reading this text through the lens of Edward Said's notions of Orientalism. Burton certainly falls prey to the Eurocentrism typical of his era, and at times his descriptions of the rationale of his Arab / Somali companions is borderline offensive. However, what I found most interesting in this text is Burton's own critique of Europeans. In First Footsteps, one could argue that Said's Orientalism isn't driven by culture but class. Burton is just as disgusted by the English working class as he is by Somali nomads.
The Kindle version contains no illustrations; I would highly recommend referring to a map while reading First Footsteps. Also, the footnotes are not linked, but I didn't find that particularly bothersome.

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This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

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Abraham's Battle: A Novel of Gettysburg Review

Abraham's Battle: A Novel of Gettysburg
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Abraham's Battle, by Sara Harrell Banks, is about the Civil War, more specifically, The Battle of Gettysburg. But that is only skin deep, it is a novel about equality, about hate, and about love. The story centers around a white northern girl, Ladybird, and a runaway slave man, Abraham, the best of friends, despite the time in which they are living, which may frown on such friendships. They are perfectly happy together, and enjoy walking with the mule, Charity. But their simple existence is complicated when a soldier for the south arrives at the farm, asking for food. Abraham, despite himself takes a liking to this homesick young man and is almost sorry when they part at the end of the day. Later on, Abraham saves his life. Throughout the entire book, Banks is constantly reinforcing the message that all men are created equally but in such delicate and subtle methods that the flow of the story is never once interrupted. For example: Ladysmith's friendship with Abraham, Abraham saving a man fighting on the opposite side in the war, and Abrahams conversation with the president that shares his name. Abraham's Battle is a flowing and poignant tale that is subtle and yet a still powerful narrative that should be enjoyed for generations to come.

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Stories of Don Quixote Written Anew for Children (Illustrated Edition) Review

Stories of Don Quixote Written Anew for Children (Illustrated Edition)
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This is a wonderful translation and is the perfect level for my 11 year old boy. We look foward to reading the next adventure every night. The fact that it is an old translation adds to the feeling of it coming from another time. Highly recommended!

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Classic Crews: A Harry Crews Reader Review

Classic Crews: A Harry Crews Reader
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If you like the bizarre "Southern Gothic" of Carson McCullers and Flannery O'Connor -- and if you appreciate thoughtful variations on established themes -- then Harry Crews is a novelist well worth your time. He'll probably never make it into the canon, but his work compares favorably with the best American postmodernists, and this is one time when it's best to forget what your English teacher tells you and form your own opinion. Unlike some of the postmodernists, Crews's startling originality is always rooted in palpably human experience; his characters, strange though they may be, never cease to function as PEOPLE, first and foremost. Highly recommended for readers who appreciate a vibrant style and a conscious twist on familiar literary traditions. One of the best American writers of the past 30 years.

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Includes two of Crews' full-length novels, The Gypsy's Curse and Car, his autobiography, and three of his essays.

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The Scout Review

The Scout
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After Brules, which was spectacular, The Scout was somewhat of a let-down. It should have been a continuation of the magnificent Brules, but it was not. Harry Combs just didn't seem to write with the same flare. In parts I had to fight boredom, as the story became monotonous. It was just "Brules the soldier" for a long time. The Scout was good, but it just didn't seem like the the same book as Brules, which I thought it should have been.

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The Wild Girl: The Notebooks of Ned Giles, 1932 Review

The Wild Girl: The Notebooks of Ned Giles, 1932
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In 1999, elderly photographer Ned Giles explains one of his photographs to a man attending a New York showing of Giles's photos. The image is of a young Apache girl in a Mexican jail. The girl, Giles says, was called "the wild girl," and was found naked and starving in Mexico's Sierra Madre. The man purchases the photograph, leaving Giles to remember the girl's story, and his own, in detail. The tale, relayed by journal entries, flashbacks, and from the point of view of several characters, is set in 1932 and begins with the girl running desperately through the arroyo below the Sierra Madre while the cougar hunter Billy Flowers chases her.
Seventeen-year-old Ned Giles joins a large expedition as a photojournalist to Mexico to retrieve a kidnapped boy from the Apaches. Ned makes friends with wealthy and outspokenly gay Tolley, cultural anthropologist Margaret, and his own young assistant, Jesus.
Meanwhile, Flowers chases the Apache girl again, as she has escaped. The girl had been with her family, in a raid led by her crazy brother-in-law, Indio Juan, when they kidnapped the rich rancher's little boy. She remembers the kidnapping as she hides in a cave from Flowers. When Flowers finally catches the wild girl, he has no idea what to do with her, and so he takes her to the nearby town jail.
In the tiny village of Bavispe, Sonora, Ned encounters the shocking sight of the Apache girl tied to a post in front of the jail. He arranges to bathe and clothe her. Along with his friends, he hatches a plan that should benefit everyone, including the girl and the kidnapped boy --- trade the girl for the kidnapped boy. A small band consisting of Ned, the girl, an English butler, Tolley, Margaret, Jesus, and two Indian scouts set off to accomplish the mission. The Apaches soon capture them, and Ned finds himself in "...another world, a world with its own sun and moon, and its own separate race of man" --- and in imminent mortal danger.
As a tribute to Jim Fergus's talents as a storyteller, I literally could not put down this novel, staying up until nearly dawn to finish it. The characters are full-blooded and alive; the adventure unfolds at a breathless pace and the descriptions are lyrical. As I watched Ned Giles leave chilly Chicago to set off on his adventure, my mind movie changed from black and white to warm Technicolor. The story felt so real that I actually checked (several times!) to be sure that the word "novel" hadn't somehow changed to "nonfiction" on the jacket flap. This is one of the best books I've read in years, and a story that will remain with me. Very highly recommended.
--- Reviewed by Terry Miller Shannon

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Hell at the Breech: A Novel Review

Hell at the Breech: A Novel
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In his highly praised short story collection, POACHERS, Alabama native Tom Franklin mined a neglected topic --- the modern South --- for narrative gold. He created vivid, visceral stories of present-day losers and rabble-rousers, and presented them as both regular frustrated humans and red-dirt legends.
Although his follow-up novel, HELL AT THE BREECH, is set more than 100 years in the past, Franklin's sensibility for gritty Southern realism remains in tact and in fact has become one of his defining traits as a regional author. Much like its predecessor, HELL AT THE BREECH refuses to romanticize the South, its inhabitants, or the violence they perpetrate, yet Franklin holds up his male characters as examples and exemplars of various strains of Southern masculinity, examining the morality of bloodshed in all its muscular complexity.
So many things work so well in this novel about a real-life gang war in rural Alabama that it's difficult to know which to praise first or foremost. Franklin's grasp of history is strong and confident; he ably recreates not just the language and the customs of turn-of-the-century Alabama, but also its lost landscape, a terrain that seems foreign at the turn of this century: "The woods were high all around, so green it felt almost cloudy, thrashers noisy in the bracken and sparrows flitting overhead, the ground slashed like paintbrush work with the shadow of pine needles."
Evoked in patient, sculpted sentences, the rough, unforgiving woods --- especially the impenetrable Bear Thicket that separates the city of Oak Grove from the uncivilized agrarian community of Mitcham Beat --- lend the story a sense of menace and mystery, and suggest an ever-changing world that seems impossibly vast. Introducing one of his main characters, a teenager named Mack Burke, Franklin writes that "the earth redefined itself around him, same as it had the day before and the day before that and as far back as his memory went, as if this dawn were no different than any other."
That dawn, however, is different for Mack: it's the first sunlight he sees after becoming a murderer, having accidentally shot a store owner named Arch Bedsole during a botched robbery. Arch was a prominent storeowner in Mitcham Beat, and his murder is locally assumed to be the work of city people trying to exert political power over the poor country farmers. In reaction, a group of Mitcham Beat farmers organize a gang called Hell-at-the-Breech to overthrow the city businessmen who hold liens on every crop in the area. Leading Hell-at-the-Breech is Quincy "Tooch" Bedsole, Arch's cousin and a deeply devious man who takes over Arch's store and indentures Mack to work as a stock boy.
As the Hell-at-the-Breech gang lash out at the farmers who won't join up and the city people who oppose them, Sheriff Billy Waite --- pushing 70 and nearing retirement --- tries to investigate, but finds only farmers too scared or too angry to take the law's side. Because he doesn't take immediate action, the townspeople see him as ineffectual, and because he drinks openly, they see him as a washed-up sot. But for Franklin, Waite's hesitation is a form of levelheaded mercy that few people in the novel possess or even recognize.
Waite's steady lawfulness and Tooch's manipulative lawlessness provide enough friction to ignite the forest between them, but for Franklin they represent nothing as simple as good and evil or right and wrong. HELL AT THE BREECH possesses a more complex morality: Franklin implies that hostility can be a useful tool but becomes evil when it is thoughtless and pointless, when men commit violence for its own sake. Both sides are depicted as righteous in their causes --- the Hell-at-the-Breech gang justified in its own push for independence, the city people merely protecting themselves from a threat --- but their violent actions are morally unpardonable. So many lives are lost, so many homes burned, so many farms destroyed, but nothing is won.
With HELL AT THE BREECH, Franklin lives up to the promise of POACHERS and establishes himself as an imaginative, intelligent, and important Southern writer. More importantly, he looks history dead in the eye and reveals how the Old South became the New South.
--- Reviewed by Stephen M. Deusner

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As I Lay Dying: The Corrected Text (Modern Library) Review

As I Lay Dying: The Corrected Text (Modern Library)
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To quote the briefest chapter, the one that would surely catch your eye if you picked it off a shelf and skimmed through it: "My mother is a fish."
As with his stunning _The_Sound_and_the_Fury_ and _Absalom_Absalom_, this book makes use of the author's masterful use of stream-of-conscious writing to render an entire reality with internal monologues. The story unfolds as you construct it from the observations and responses of the characters. Though briefer and less challenging than these other two books, it's as absorbing a read as they have been for decades. When you reach the end, you can imagine that you'll pick up the book again someday, sure there's more to explore.
The structure is simple once you get the hang of it. Each chapter is the name of a particular character in the story of the family of Addie Bundren, dead in the first few pages, and being transported by her clan to the land of her birth for burial-by wagon, in the heat and dust, over rivers, for weeks, before the vacuum seal... There is no "Once upon a time." Instead, whatever that character is thinking at the instant the chapter begins is what you're reading. Soon, you know who everyone is and what she thinks of everyone else. The effect of this structure is that you can inhabit the narrative as each of the players, can see how events are interpreted differently. It's also like a mystery-someone will have troubled thoughts about something you can't quite distinguish; then, twenty pages later, you figure out what they've been talking about and you flip backward in a frenzy to see how the early references to the issue flesh out the story. This is a terribly rewarding way of reading.
This is a great first Faulkner for everyone. You develop the ability to read his complex novels by virtue of the simplicity of the story and the mostly brief chapters, each from a fresh point of view. You learn to read on if you don't get something. (Important skill: Faulkner is one of my absolute favorite authors since high school, and one of my favorite things is that you have to trust the story to tell you what you need to know in time. Not only do you get the reward of context for the occasional non sequitur, but you have the thrill of anticipation when something weird happens. This book is a great example of how, unlike Hemingway, where you have to read a basically boring story over and over to understand all the juicy stuff, Faulkner gives you nibbles of fantastic plot to hold you through the ultimate analysis.

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Blood Meridian: Or the Evening Redness in the West Review

Blood Meridian: Or the Evening Redness in the West
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Blood Meridian
by Cormac McCarthy

Blood Meridian, by Cormac McCarthy, is the most overwhelming novel I've read for years. I came late to it in two senses. It's almost 20 years since it was published in 1985, and it is late in my own reading life, because I'm 63. I read it on holiday. Not a comfortable choice, and certainly not the best thing to relax with on a sunlounger, while supping a drink with a hat on. But Blood Meridian is, at the risk of sounding pretentious, on a par with Faulkner's 'As I Lay Dying' or Beckett's 'Waiting For Godot' or even that most astounding work of all, 'King Lear'. High claims, but give it a try.
You might well have to try it more than once, because it is very strong, and at times even rancid, meat. But a lot of people, after they've closed the book, might find they can't read another novel for a while.
I finished the book, and picked up another. But the pages were slipping by and all my head could think on was Blood Meridian. So I did something I very rarely do. I put the other novel down and turned back to Blood Meridian, and read it again. It's a hell of a book. And I'm not speaking particularly metaphorically. It tells us more about the human condition than most other respectable works we laud so much. Blood Meridian is original, disturbing, heretical, challenging, difficult, and awe inspiring. Just like King Lear.
Here endeth my rant.

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Daughter of the Mountains (Newbery Library, Puffin) Review

Daughter of the Mountains (Newbery Library, Puffin)
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As a 6th grader I think I had this book permanently checked out of my school's library for the entire year. Great adventure and suspense, a fascinating look into another culture, an extraordinarily brave girl and her love for her dog, and a deeply satisfying ending -- a perfect combination. I'm so glad it's still in print!

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