Showing posts with label crime drama. Show all posts
Showing posts with label crime drama. Show all posts

Tombstone: An Iliad of the Southwest Review

Tombstone: An Iliad of the Southwest
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Walter Noble Burns looked up Wyatt Earp with a view toward writing a story about him, as he had about Billy the Kid. His Billy the Kid helped establish once and for all the legendary status of the Kid. Wyatt Earp reported Burn's first visit to his friend, movie star, Wm. S. Hart, saying he was happily convinced Wyatt would allow him to do his story.
Unfortunately, for both Burns and Earp, Wyatt's friend John H. Flood Jr. had just written Wyatt's story, which was being circulated to publishers with the help of Wm. S. Hart. More unfortunately was that Earp loyally declined Burn's offer out of regard for Flood. The rub there turned out to be that Flood obviously couldn't write for beans. (Ask me. I found, bought and published his work after historians had sought for years this rare document, all copies of which had dropped out of sight.) As one editor said of Flood's work, it was "stilted and florid and diffuse." That may have been an understatement.
In any case, shifty Burns, despite what others have more kindly said about the sequel, tricked Wyatt into thinking he would instead do a book on Wyatt's intimate, Doc Holliday. And under that pretext he got a lot out of Wyatt, and used it to do a book that Wyatt finally concluded, was more about him than Doc. In fact when it occurred to him that he'd been tricked out of what amounted to the most interesting part of his life story he considered suing Burns. His friend Hart encouraged him, and thought he'd probably win big time. But suits cost time and money just as they do today. Moreover, Wyatt was old and tired. So Burns got away with his trickery, and brought out one of the most interesting, and accurate, books on what had gone on during what could be called the Earp, Behan, Clanton, McLaury, Cowboy Gang Feud. Behan was the crooked sheriff in spades. Burns did not learn that beneath much of the violence at Tombstone lay the fact that Wyatt had swiped the sheriff's cute, young, gal, Josephine Sarah Marcus. (Who later became his third and last wife, at least by common-law.) SEE THE STORY OF HER LIFE WITH WYATT ON AMAZON: "I MARRIED WYATT EARP."
Burns success in portraying things as they were was based on the fact that he found many of the participants still living, just as he had in the case of Billy the Kid. Burns was, however, basically a tenderfoot. For example, while researching Wyatt, an idea for another book occurred to him to cover the shenanigans of the many colorful old timers out in Cochise County, and he proposed to have the father of my old friend Ben Sanders act as his oracle and guide in seeking out old scoundrels. Bill Sanders reaction was: "You must be joking. These people are my neighbors!" If the implication isn't obvious to law professors from back East and that sort, he meant he'd have to move out if he blew the whistle.
In any case, this is a book well worth reading. It's author ended a colorful career shortly after the book came out, by dying quite young. Pity.
There is less fiction here than modern writers, who are shot in the pants with debunking, would like us to believe. Burns knew the foremost guide to writing such books was "stick to the facts, till you run out of them, and only make up as much as you have to in order to eat regularly." Editorial ethics then and now were much the same. In any case, Burns was not "stilted and florid and diffuse."
Since Flood's Ms. was not saleable, when Stuart Lake came along a few years later he took it over and made it that way. And Lake's so-called biography of Wyatt is a lot more truth than fiction. Read it, too: WYATT EARP: FRONTIER MARSHAL.
Burns was the first of the big name writers that started Wyatt Earp on the trail to fame and eventualy six-shooter Sainthood. I have a notion Wyatt would have liked the money in it, but not necessarily the fuss and bother of meeting celebrity seekers.

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Smonk or Widow Town Review

Smonk or Widow Town
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I'd never come across Franklin before, but this Southern Gothic retelling of the story of Sodom and Gomorrah is so distinctive that I'm curious to see what the rest of his writing is like. Although ostensibly set in 1911 somewhere in southern Alabama, it has a very hazy quality to it that suggests it could be anywhere in the deep south or southwest, any time between 1870-1900. The story proceeds along two tracks: one follows a terrifying man called Smonk, and the other follows a 15 year old prostitute named Evavangeline.
We meet Smonk at a trial convened by the men of Old Texas, where he is accused of murder after his yearlong terrorizing of their town. Unfortunately for them, the dirty, limping, deformed, consumptive, syphilitic, hellraiser smells a setup, and the scene quite literally explodes in an orgy of bloodletting which manage to evoke both the brutality and realism of Peckinpah and the bizarre cartoonishness of Tarantino all at the same time. Smonk makes his escape and begins a long game of cat-and-mouse with the town's only two male survivors. Meanwhile, we meet Evavangeline as she flees in flagrante from a strange roving vigilante group who is chasing her for being a sodomite (her young form was apparently mistaken for that of a boy's). Her journey takes her through the drought-ridden Gulf Coast and toward Old Texas. Along the way, she proves just as deadly as Smonk, leaving a trail of gruesomely dispatched corpses behind her.
As we learn about both characters' pasts, we also learn about their pursuers. William McKissick is Smonk's former partner, now turned semi-honest lawman. Under the belief Smonk killed his boy, McKissick conducts his hunt with blood oozing out of an untended belly wound and Smonk's glass eye between his cheek and gum. Evavangeline is chased by a posse of "Christian Deputies" led by a northern fop with no control whatsoever over his band of rascals. The action takes place across a surreal barren landscape of dead sugarcane and rabies-infected dogs and rats. Ultimately, everything leads back to Old Texas, a town which mysteriously has no children. As with many a horror movie, the town's long-held horrifying secret is finally revealed as the karmic justification for all the killings, eviscerations, rapes, and ultraviolence over the preceding pages.
This is an impossible book to pigeonhole. Franklin's Old Testament update is incredibly dark, gruesome, and violent (a note of warning, incest crops up more than once). And at the same time, it's so over-the-top that it can be awfully funny at times. Franklin's crafted a richly distinctive dialect and cadence for his characters' dialogue that helps in creating a unique sense of place. The one downside is that it's not set off like normal dialogue, which can make it a little hard to follow at times. I've definitely not read another book like this all year, but one like this is probably all I can handle. Highly recommended, but only for those with strong stomachs.

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Smuggling Drugs into Prison Review

Smuggling Drugs into Prison
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This story shows how desperate drug addicts can be. Bobby, the narrator, puts his health and even his life at risk to smuggle drugs into prison. Bobby also wants to be "the man," the guy at the center of attention, the one who can supply drugs to other inmates and get their admiration. He is a master storyteller who lets readers sample prison tales; that is, stories that inmates tell each other to build themselves up in the eyes of other men and to puff themselves up. Anyone who wants to understand drug addiction can learn a lot from this story.

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Bobby G tells a hilarious story about kiestering drugs, both the trials of getting them in and the challenge of getting them out. He finally pushes them in when the squad comes rumbling through and he thinks they are coming for him. His cache survives a strip search. A few mintues later, while he sat on the toilet to push the drug outs, a chorus of drug-hungry inmates stroll by his cell whispering out of the sides of their mouths, "Did you get it out yet?" In the end, Bobby is the hero of his cell block that day, the man.

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Enron: The Rise and Fall Review

Enron: The Rise and Fall
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I am a former Enron employee from the mid-1990s. I do not hold any bitter or bad feelings from my exeperience there and firmly believe that I have benefitted from the experience. I have also previously read and reviewed the Cruver book stating that there would be other books giving a better perspective of the issues. Loren Fox's Enron: The Rise and Fall is one of those books.
Like a good non-fiction business writer, Fox takes a global approach in helping the reader understand what happened at Enron. He immediately lays out the working thesis that the collapse of Enron was symptomatic of the corporate culture at Enron but also reflective of the business environment at-large throughout the eighties and nineties. Even with this viewpoint in mind, he too acknowledges that he lacks all the answers because many of the outcomes from Enron's collapse are still in flux (e.g. Will Fastow go to jail? Will Lay and Skilling get indicted) and the ultimate impacts on corporate America are unclear (e.g. Where is Sbarnes-Oxley taking us?).
To support his thesis, Fox presents a well-researched book presenting the key players in the evolution of the energy giant. He provides the background information on the deregulation of the natural gas industry that led to the formation of Enron. He anlayzed the dueling business strategies of ECT and EI run by Skilling and Mark. With Skilling winning the political infighting, the off-balance sheet shennanigans became more important to obtaining the capital needed to support his grandiose visions. That is where Fastow and Kopper come in. Relative to other journalists including Pulitzer Prize winner Rebecca Smith, Fox better understands and explains the nature of the off-balance sheet transactions (e.g. often a form of Islamic financing but also more complex structures) created by these two but always adding color to story with his inside look at the key personalities (e.g. Kaminski saying, "This is so terminally stupid only Fastow could come up with it.").
It is obvious that Fox has had access and discussions with some very senior managers at Enron in completing this project. Despite that, it still feels as if he has only gotten part of the story. Still I must commend him for the best effort to date.

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