Showing posts with label frontier. Show all posts
Showing posts with label frontier. Show all posts

Covered Wagon Women, Volume 10: Diaries and Letters from the Western Trails, 1875-1883 Review

Covered Wagon Women, Volume 10: Diaries and Letters from the Western Trails, 1875-1883
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Vol. 10 in a series of faithfully transcribed diaries and letters of women who traveled West via covered wagon, this book describes travel at a time when many others were going west via the railroads. Time had altered the circumstances of covered wagon travel: the travelers were not isolated, they had opportunities to avail themselves of hotels, suppliers, etc., along well-marked trails. However, the trip was not without its heartaches and hardships. I recommend reading the entire series, to get a true understanding of the great American Western migration.

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Forty years after the legendary overland travels of Oregon pioneers in the 1840s, Lucy Clark Allen wrote, "the excitement continues." Economic hard times in Minnesota sent Allen and her husband to Montana in hopes of evading the droughts, grasshoppers, and failed crops that had plagued their farm. Allen and her compatriots, in this volume of Covered Wagon Women, experience a much different journey than their predecessors. Many settlements now await those bound for the West, with amenities such as hotels and restaurants, as well as grain suppliers to provide feed for the horses and mules that had replaced the slower oxen in pulling wagons. Routes were clearly marked-some had been replaced entirely by railroad tracks. Nevertheless, many of the same dangers, fears, and aspirations confronted these dauntless women who traveled the overland trails.

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The Struggle for Apacheria (Eyewitnesses to the Indian Wars, 1865-1890) Review

The Struggle for Apacheria (Eyewitnesses to the Indian Wars, 1865-1890)
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This marvelous book can safely be said to be the last word on the Apache Wars. The breadth and scope of the original accounts presented here - most drawn from obscure 19th Century sources - is remarkable. There are newspaper interviews with General George Crook, an account of the Chiricahua Apaches in captivity by Walter Reed (for whom Walter Reed Hospital is named), a visit with Cochise in his mountain stronghold by the teritorial governor of Arizona, and many, many more "you are there" accounts. Cozzens opens the work with an excellent historical overview of the Apache Wars. Indispensable to the Indian Wars affecionado!

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Patterned after the classic "Battles and Leaders of the Civil War", this series of five volumes will be the most comprehensive work on the military aspects of the Indian Wars in the West. The author will gather a wide variety of first-person accounts that are not generally available elsewhere, relying primarily on unpublished manuscript accounts and contemporaneous newspaper articles. Each article covering an event or battle will be placed within its context, with background information on the author of the article, a historical introduction evaluating the article's accuracy and significance, and a "for further reading" list of sources.

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Buffalo Gordon on The Plains Review

Buffalo Gordon on The Plains
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Bravo! I did not want this book to end!
I laughed out loud and at times was so deeply moved, I cried.
While I loved the romance between Nate and Cara, I found the descriptive encounters between Nate and the Plains Indians especially interesting and rousing - I felt as though I was sitting among them in the tipi. Rich in historical detail, this story is engaging and thought provoking.
The author has certainly left this reader anxiously awaiting the next installment of this powerful saga.
Cheers to J. P. Lewis!

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Abraham's Battle: A Novel of Gettysburg Review

Abraham's Battle: A Novel of Gettysburg
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Abraham's Battle, by Sara Harrell Banks, is about the Civil War, more specifically, The Battle of Gettysburg. But that is only skin deep, it is a novel about equality, about hate, and about love. The story centers around a white northern girl, Ladybird, and a runaway slave man, Abraham, the best of friends, despite the time in which they are living, which may frown on such friendships. They are perfectly happy together, and enjoy walking with the mule, Charity. But their simple existence is complicated when a soldier for the south arrives at the farm, asking for food. Abraham, despite himself takes a liking to this homesick young man and is almost sorry when they part at the end of the day. Later on, Abraham saves his life. Throughout the entire book, Banks is constantly reinforcing the message that all men are created equally but in such delicate and subtle methods that the flow of the story is never once interrupted. For example: Ladysmith's friendship with Abraham, Abraham saving a man fighting on the opposite side in the war, and Abrahams conversation with the president that shares his name. Abraham's Battle is a flowing and poignant tale that is subtle and yet a still powerful narrative that should be enjoyed for generations to come.

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Many a River Review

Many a River
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I've followed "Pop" Kelton's novels since meeting up with him at Baylor University back in the early 1980s, and this is one of his very finest. The plot resembles D. W. Griffith's Orphans of the Storm in that two siblings (brothers) are torn apart at an early age and we follow their separate adventures until the final pages of the novel. But what is startling here--for those like me who have a whole bookcase stocked with Kelton--is that he manages to do something rather unique here. He takes the best of his paperback style--finger-burning page-turning with loads of action, hard-knocks and bullets--and weds it to his hardcover style--meticulous historical sensibilities, fine dry humor, and utter believability. If you've found yourself getting a little sleepy with the last half-dozen or so novels, be prepared for a jolt. This one's a classic and a real corker, whether you're coming to Kelton for the first time or you're already carrying his brand.

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The Jump-Off Creek Review

The Jump-Off Creek
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A woman homesteads by herself in eastern Oregon. There are the standard dangers, problems, terrors and tragedies. This is saved from being trite by the stoic and undaunted character of the woman. Gloss also avoids the usual romantic happily-ever-after with the man next door.
Gloss has used journals and diaries of women in the West in hopes to draw out some of the nontraditional women's roles in the West, "I hope their strong, honest voices can be heard in this book." Showing that gender roles weren't fixed as many choose to believe, we see Lydia doing hard, manual labor, and Tim cooking and doing the wash. Lydia, the heroine of the book, abandons typical women's roles in the very beginning when she picks up and moves West alone to start a new life. "I'd rather have my own house, sorry as it is, than the wedding ring of a man who couldn't be roused from sleeping when his own child was slipping out of me unborn."
Gloss attempts to break down the Western stereotypes for men. Tim and Blue are like real men we could meet if we were on the frontier, not larger than life heroes that commonly dominate Western myths. Unlike heroes admired for their independence, Tim and Blue are dependant on others and each other on the frontier . They become almost like children in their dependence on others, "He turned and looked at her, ducking his chin." Things don't come easily for them and they struggle like any human being would have, "Tim put the gun down in the mud and went, shaking, across the bloody wallow on his knees." Even being a cowboy is rejected in this book, "He said he'd seen years when a good cowboy couldn't by himself a job, but a good cook could pretty much always find work."
Besides narrations from characters, Gloss utilizes Lydia's journal entries to make the story more real, personal, and familiar. This helps us recognize and remember Lydia's real identity, while the central narration builds the events of her daily life in a flowing form. Dreams of easy success are shot down in The Jump Off Creek. Giving a truer picture of the West, The Jump Off Creek is not a romanticized myth of adventure and easy success. Gloss establishes a view that shows the desperation of lives in a West where there is nothing new and glorious to see and experience every day. We see the miserable and wretched hard lives that one might have encountered. Fantasies of ease and comfort in the West are gone in this novel. It isn't a fairy tale like the traditional Western, where the good guy always wins, and the hero can handle any problem successfully. This book doesn't contain a lot of action, but instead it brings out the monotonous daily life of establishing a new home in the West and centers on the domestic side of the West. Gloss tells us of the every day grind and challenges of lives where sometimes people fail and hours of hard work are only the beginning of more hours of hard work.

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Dead Man's Walk Review

Dead Man's Walk
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This book in the Lonsesome Dove series in the first, in chronological order. Gus and Call, called 'young pups' by their elders, have joined the Texas Rangers, hoping for some adventure (and for Gus, a little brothel action and card playing). Soon after their expedition begins, they discover they are in way over their heads. The Commanches are, literally, on the warpath, and hate white people (with good reason, considering the way the white men treated them). They are also very smart, very fast, very skilled in riding and fighting, and VERY bloodthirsty. The main Chief, who even the most hardened soldiers are scared of, is Buffalo Hump, and he is introduced in an unforgettable lightning storm on the prarie, in one of the most vivid, terrifying scenes in the entire series (and if you've read the series, you know things can get VERY ugly). The men in charge of the expedition are either crazy, stupid, drunk, have a very short fuse, or all of the above. The trek starts out rather confident, looking forward to the challenges to come, but soon realize they are no match for the Indians. The Commanches set up a variety of clever, deadly, devastating traps, and soon their ranks are halved, then quartered, then...then it gets REALLY ugly.
This book was a page-turner, and had all the entertaining characters a reader comes to expect from the series. All of the books treat death as an everyday thing, but I think this is one of the most cold-blooded; do not read if you're sqeamish. There's not just one or two nasty scenes, either, they count many and come fast. This is an entertaining book, one that I couldn't put down, but not especially pleasant. A good read, don't get me wrong, but one that is emotionally gruelling.
I guess if you wanted to read the books in chronological order, this would be the one to start. I had planned to do that originally, after I read LD, but have found reading them in the order they were written is actually more satisfying; backstory is filled in, and you get a better perspective.
If you loved LD, read this and the other books in the series. If you're just starting out, read LD first; it may be the strongest, but it will give you an idea of just what a treat you're in for. No ccomplaints here-I put the bok down after reading the last page, and promptly walked right over to my new copy of Commanche Moon (I wisely bought them at the same time) and started in.
This author was born to write.

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Into the American Woods: Negotiations on the Pennsylvania Frontier Review

Into the American Woods: Negotiations on the Pennsylvania Frontier
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The boundary that separated the territory of Pennsylvania's Indians and colonists indicated more than just a physical change in the landscape. The vast stretches of forest and mountain that encompassed the Pennsylvania woods designated a spiritual transformation between the colonial frontier and what Europeans considered the "hideous and desolate lands." The woods' edge marked the difference between order and disorder, darkness and light, and for many colonists it was a forbidding domain where the peoples and creatures were shunned. Likewise, for Indians, the margin between the Pennsylvania woods and what colonists haughtily termed "the inhabited parts," marked the divide between their world and one of mistrust and apprehension. Although there were overlapping notions among Indians and colonists about where the woods began and ended, both groups thought the darkness of that territory to be strange and unpredictable.
In his book, Into the American Woods: Negotiators on the Pennsylvania Frontier, James Merrell explains the role and purpose of the individuals who straddled the divide between woods and clearing. More than that, these go-betweens, asserts Merrell, stood straddling Indian and colonial cultures in order to mediate a number of negotiations, land disputes, trade issues, and the occasional murder. Merrell's comprehensive discussion of the role of the cultural broker in colonial Pennsylvania during the "Long Peace" from 1680 to 1750 unravels not only the mystery behind eighteenth century frontier diplomacy, but also the curious life of the go-between. He takes the reader across that threshold between Indian and white ground in order to enter in and examine the frontier. It is his attempt to discover what it was like for the go-between to be the link between Indian and colonist, and to obtain a richer, fuller, and more colorful picture of the early American scene.
At the outset of his work, Merrell stresses the complexities involved with defining the go-between; picking them out of the crowd in America's border country can be difficult work for historians. Thus, the strength of this work lies in Merrell's ability to define nearly every aspect of the frontier experience, and pick the brain of Pennsylvania's go-betweens. He contends that not every trader, missionary, or convert was a go-between. Moreover, a role in state affairs did not necessarily give one the credentials that would distinguish him from the common man. Canasatego, an Onondaga, summed it up vividly, with a hint of sarcasm, when he explained to Pennsylvania officials in 1742 that negotiator Conrad Weiser "has wore out his shoes in our messages, and has dirty'd his clothes by being amongst us, so that he is as nasty as an Indian." Merrell expands on Canasatego's idea by explaining that the role of go-between entailed a certain amount of dirty work, both figuratively and literally; once the trip was made across unforgiving terrain to reach the far side of the frontier, the traveler still had the passage into another culture to look forward to. Merrell explains that the go-between was a shadowy figure that carried the letters but did not sign and seal them; who memorized the speeches inscribed on wampum belts, but did not draft them; who translated, but did hold the floor at councils. Essentially, this complex and necessary figure stood between the tables crowded with colonial and Indian officials to make sure that the liquor and talk flowed freely, but did not join the feast. A behind-the-scenes character, the go-between is not a figure of the past whose position in colonial society is easy to uncover.
In order to facilitate this laborious task of assessing the life and role of the cultural broker, Merrell chose to tap into a source that, he alleges, few scholars choose to probe. The numerous volumes of treaty minutes recorded for every official interaction between Indians and colonists reveal in great detail the demands placed upon the go-between. Every formal proceeding required an intermediary to perform a multitude of tasks, and in these documented accounts, Merrell has managed to illustrate the role of the go-between after a careful inspection of these sources. Also, in chronicling the life of the Pennsylvania frontier, Merrell does not take the conventional approach to telling history; his book takes on an unconventional role because he is dealing with exceptional characters. He starts and ends the book with what he calls woodslore, to offer a fresh view of historical sites and instances that might otherwise be common knowledge to the reader. While telling the stories of Jack Armstrong's murder in 1744 and concluding with the killing of Young Seneca George in 1769, Merrell systematically interweaves discussions about the recruitment of negotiators, their travels, talks, and treaties. By recounting the rough texture and gritty feel of the colonial frontier, Merrell proves himself to be an authority on the topic.
No detail is left out of this work, and no stone goes unturned throughout Merrell's journey into the minds and duties of the go-between. His argument is both convincing and original, his prose innovative and direct. More compelling is his approach to telling the history of Pennsylvania's frontier diplomats as pivotal players on the frontier who are often excluded from conventional historiography. Merrell tells the story from both sides of the council fire, on behalf of both Indians and colonists uniformly. Into the American Woods is not only a fascinating read, but also a fundamental and comprehensive resource for those investigating the role of the cultural broker.

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Tales of the Mountain Men: Seventeen Stories of Survival, Exploration, and Frontier Spirit Review

Tales of the Mountain Men: Seventeen Stories of Survival, Exploration, and Frontier Spirit
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Tales of the Mountain Men is a collection of writings about the first white men to intrude on the world of the Native Americans in the mountainous west. The writings are from diverse sources and are in greatly varied styles. To Mr. Underwood's credit, he did not clean up the writings, so some are written in a vernacular that is difficult for 21st century eyes to understand. But that simply makes the writing more genuine.
The culture that is portrayed is one that preceded the cowboy culture and was overwhelmingly male. The hardships and dangers that were taken for granted by the mountain men are unbelievable, but they are very real too. The portrayal of Native Americans is very negative and cruel.
I gave this book 4 stars because I found its organization difficult. The excerpts are in many cases too short and, in spite of introductory paragraphs, difficult to place. But the writings are fascinating and opened my eyes to a new society that is discussed in a realistic and unromanticized way.
If you are interested in either history of the west or early 19th century culture, this book is highly recommended.

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Long the dominant icon embodying the spirit of America's frontier past, the image of the cowboy no longer stands alone as the ultimate symbol of independence and self-reliance. The great canvas of the western landscape-in art, books, film-is today shared by the figures called "Mountain Men." They were the trappers of the Rocky Mountain fur trade in the years following Lewis and Clark's Expedition of 1804-1806. With their bold journeys peaking, during the period of 1830-1840, they were the first white men to enter the vast wilderness reaches of the Rockies in search of beaver "plews," as the skins were called. They feasted on the abundant buffalo, elk and other game, while living the ultimate free-spirited wilderness life. Often they paid the ultimate price for their ventures under the arrows, tomahawks, and knives of those native Americans whose lands they had entered.Tales of the Mountain Men, presents in one book many of the most engaging and revealing portraits of mountain men ever written. Ranging from nonfiction classics like Bernard DeVoto's Across the Wide Missouri through fiction from such acclaimed novels as A. B. Guthrie Jr.'s The Big Sky, this collection is destined to be well appreciated by the huge and dedicated audience fascinated by mountain man lore and legend. These readers include many who today participate in reenactments of the mountain man "Rendezvous," with colorful costumes and competitions of traditional skills with authentic guns, knives, and tools.No book exists today with such a diverse and engaging collection of mountain man literature. For an already-large and still-growing audience, Tales of the Mountain Men will be a valued extension of their interest in the mountain man as a compelling and uniquely American figure.

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