Showing posts with label african american. Show all posts
Showing posts with label african american. Show all posts

Forty Acres: A Novel Review

Forty Acres: A Novel
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Phyllis Dixon has managed to capture in graphic details, the circus which surfaces at the first sign of illness or death. Her portrayal of family struggles over money and property was definitely accurate.
But this story was not just about bickering over assets, it was a reminder of just WHAT that 40 acres represented when it was announced a few hundred years and still today. You'll be surprised at how much you will enjoy this book. I know I thoroughly absorbed the tale.
Phyllis, as we say down South, you put your foot in this one! Good job...

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And I'm Glad: An Oral History of Edisto Island (SC) (Voices of America) Review

And I'm Glad: An Oral History of Edisto Island (SC) (Voices of America)
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As beautiful as Edisto Island is, the words of the old storytellers make it all the better. What a wonderful way to learn about this "paradise", but from some of its longest lived residents.
This book is a must for anyone who has travelled to the Charleston area and the Lowcountry.

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The Known World: A Novel Review

The Known World: A Novel
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Edward P. Jones tackles a difficult subject with depth and courage. Unlike other reviews listed here, I did not find his prose difficult, but enjoyed its richness and color, and found "The Known World" filled with flawed and genuine people of all races who grapple with slavery-America's "peculiar institution"-in a way that will surprise and compel readers.
Mourners come to Manchester County, Virginia to bury Henry Townsend and comfort his widow Caldonia. Henry was only 31 years old, a successful landowner and the owner of 33 slaves. He was also black, and a former slave himself. His human property learned from the start that working for a black master was no different from working for a white-or an Indian, for that matter. But they hold out the tiniest shred of hope that Caldonia, who was born free, will free them.
Henry's father Augustus bought his own freedom from his owner, Bill Robbins. He then worked to buy his wife, and then his son. But Henry always felt more affinity with Robbins than he did with his own family, shocking his parents when he buys his first slave. There are a number of black and Cherokee slave owners in the area who look on slaves with perhaps even more dispassionate eyes than do their white neighbors. "The legacy," Henry's mother-in-law calls his slaves when Caldonia briefly considers manumitting them. "Don't throw away the legacy."
I have never found a book that looks at slavery like "The Known World" does. Throw your preconceived notions out the window and be prepared to be completely pulled into a world where, no matter the characters' race, nothing is black and white.

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Enter the New Negroes: Images of Race in American Culture Review

Enter the New Negroes: Images of Race in American Culture
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The title of this text does its contents no justice. This book accurately explains the continually changing mentality of (and towards) African Americans from the end of slavery and through the Harlem Renaissance. It follows two methods of expression (art and literature) which helped to define the diverse culture that blossomed in Harlem after the Great Migration.
In efficiently examining the art and writings of the prominent African Americans of the time, Prof. Nadell helps bring to the surface fascinating connections between the two creative forms and between the creative, intellectual, and socio-economic aspects of the 'New Negro'.
Besides being wonderfully enlightening, the book is also masterfully put together. Nadell's art selection is thought-provoking and sharply printed. The layout of the book is stunning and the index complete. The cover-art, as you can see, makes you want to display the book on a pedestal instead of stuffing it between some musty tomes on your shelf.
A completely invigorating read.

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With the appearance of the urban, modern, diverse "New Negro" in the Harlem Renaissance, writers and critics began a vibrant debate on the nature of African-American identity, community, and history. Martha Jane Nadell offers an illuminating new perspective on the period and the decades immediately following it in a fascinating exploration of the neglected role played by visual images of race in that debate.

After tracing the literary and visual images of nineteenth-century "Old Negro" stereotypes, Nadell focuses on works from the 1920s through the 1940s that showcased important visual elements. Alain Locke and Wallace Thurman published magazines and anthologies that embraced modernist images. Zora Neale Hurston's Mules and Men, with illustrations by Mexican caricaturist Miguel Covarrubias, meditated on the nature of black Southern folk culture. In the "folk history" Twelve Million Black Voices, Richard Wright matched prose to Farm Security Administration photographs. And in the 1948 Langston Hughes poetry collection One Way Ticket, Jacob Lawrence produced a series of drawings engaging with Hughes's themes of lynching, race relations, and black culture. These collaborations addressed questions at the heart of the movement and in the era that followed it: Who exactly were the New Negroes? How could they attack past stereotypes? How should images convey their sense of newness, possibility, and individuality? In what directions should African-American arts and letters move?

Featuring many compelling contemporary illustrations, Enter the New Negroes restores a critical visual aspect to African-American culture as it evokes the passion of a community determined to shape its own identity and image.


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Civil Rights History from the Ground Up: Local Struggles, a National Movement Review

Civil Rights History from the Ground Up: Local Struggles, a National Movement
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Civil Rights History From the Ground Up provides a compelling survey of civil rights struggles that began in the South and spread across the nation, offering college-level readers a collection of scholarly debates and examples discussing the central issues of the movement. Teachers and advanced students of civil rights receive a fine movement history that clarifies the extent of debates surrounding the issues.


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After decades of scholarship on the civil rights movement at the local level, the insights of bottom-up movement history remain essentially invisible in the accepted narrative of the movement and peripheral to debates on how to research, document, and teach about the movement. This collection of original works refocuses attention on this bottom-up history and compels a rethinking of what and who we think is central to the movement.

The essays examine such locales as Sunflower County, Mississippi; Memphis, Tennessee; and Wilson, North Carolina; and engage such issues as nonviolence and self-defense, the implications of focusing on women in the movement, and struggles for freedom beyond voting rights and school desegregation. Events and incidents discussed range from the movement's heyday to the present and include the Poor People's Campaign mule train to Washington, D.C., the popular response to the deaths of Rosa Parks and Coretta Scott King, and political cartoons addressing Barack Obama's presidential campaign.

The kinds of scholarship represented here—which draw on oral history and activist insights (along with traditional sources) and which bring the specificity of time and place into dialogue with broad themes and a national context—are crucial as we continue to foster scholarly debates, evaluate newer conceptual frameworks, and replace the superficial narrative that persists in the popular imagination.


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Their Eyes Were Watching God Literature Guide (Common Core and NCTE/IRA Standards-Aligned Teaching Guide) Review

Their Eyes Were Watching God Literature Guide (Common Core and NCTE/IRA Standards-Aligned Teaching Guide)
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This book is very useful as support material for reading the book. It has everything one would need to support the teaching/reading of TEWWG. It has many activities such as vocabulary lessons, character analysis, quizzes and exams, worksheet with background information to aid in understanding the book. It makes it possible to give students the information needed to follow the story without the teacher having to create them. It also has answers for all of the quizzes and activities. I really like this book and find it very useful.

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Every Tongue Got to Confess: Negro Folk-tales from the Gulf States Review

Every Tongue Got to Confess: Negro Folk-tales from the Gulf States
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If you grew up hearing older folks get together and swap wild stories, or if you have an academic interest in folklore, then this is for you! Essentially, the great Folklorist Zora Neale Hurston spent 1928 and 29 among rural Blacks in Florida and Alabama jotting down their folk tales and witty sayings. Being a Black Southerner herself gave her an insider's access that made her interviewees comfortable in sharing with her. The final manuscript, "Negro Folktales of the Gulf States" remained unpublished till now. Some of these tales were published in 1935 with a framework story of Miss Hurston's adventures among her interviewees entitled "Mules and Men." But here, the stories exist in their orignial, uncut form without a framework story. Once the modern reader becomes accustomed to the printed approximation of Southern African-American dialect, you can sit back and enjoy the folk wisdom and humorous tales. So imagine that Grandpa, Uncle Wille, and all the others are gathered around your porch with a pitcher of lemonade on a pleasant afternoon and enjoy this African-American equivalent to "Aesop's Fables" and "The Arabian Nights."

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40 Acres and a Mule: The African American Guide to Building Wealth Through Real Estate Review

40 Acres and a Mule: The African American Guide to Building Wealth Through Real Estate
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This book is great! It provides general knowledge required to purchase your own home and/or begin investing in real estate! Easy to read and packed with nuggets of powerful information! I have now purchased multiple copies and I am using them as gifts for friends! No one thinking of buying a house or doing some real estate investing should be without this book. African-American or not.

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If you are Black and live in America, this book is going to change your life! In 40 Acres &a Mule, Kevin motivates you to start the process of wealth accumulations by follwing some very simple steps. He delves into how to set up your "real estate team". He also takes the covers off of the mortgage process. Kevin goes in to detail on how your credit scores are calculated adn how to "repair" your credit. Speaker, Motivator, Teacher, Entrepreneur have all been used to describe Kevin Riles. So READ, LEARN, ACT!!

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Phenomenal Woman Review

Phenomenal Woman
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What makes this book so unique and fabulous is the combination of Maya Angelou's "phenomenal poem" and Paul Gauguin's exotic paintings. It's unbelievable how well the two art forms go together. I've lost count of how many times I've read the book. I just keep going back to reread the poem and stare at the pictures. ... It's a great gift idea for a girlfriend.

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Phenomenal Woman is a phenomenal poem that speaks to us of where we are as women at the dawn of a new century. In a clear voice, Maya Angelou vividly reminds us of our towering strength and beauty. Here is a poem that radiates wisdom and conviction, renewing our belief in the glory and tender mercies of our gender.Married to the extraordinary paintings Paul Gauguin, this book becomes a visionary commemoration of all that is wondrous in women. Gauguin painted women with exuberance and joy, reveling in their strength and beauty. His portraits are of women of color, women of power, women who gaze out at the viewer with the same quiet resolve and inner mystery that Angelou celebrates in her poem.Though Gauguin died twenty-five years before Angelou was born and these two artists lived very different lives in very different cultures, their work coalesces perfectly in this one glorious volume.Here is the ultimate gift for the phenomenal woman in your life--wife, lover, relative, teacher, friend. There's hardly a woman alive today who will not relate to the words of the poet Maya Angelou and the images of painter Paul Gauguin.

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Peculiar Institution: Slavery in the Ante-Bellum South Review

Peculiar Institution: Slavery in the Ante-Bellum South
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Stampp's aim in writing this book was not to provide the complete and comprehensive last word on the subject of the American enslavement of Africans and their American descendents, nor to empathize with the oppressed slaves, nor to apologize for slavery, nor to echo the "voices" of slaves, nor to place it in the context of slavery around the world throughout human history (all of which are worthy topics which have been (and continue to be) addressed by other historians.
Stampp's aim was to provide information lacking (in 1955, and still scant fifty years later) as to the nature of the institution itself, AS an American institution (which it certainly was up until its final (and sloppily inefficient) dismantling beginning 1863 (in the midst of the civil war). The "Peculiar" Insitution (so dubbed by slave owners themselves, in secret (and embarrassed) acknowledgement of the sheer hypocrisyof this institution. Stampp does not attack the morality of slavery, nor does he "witness" the evils of slavery through statements of slaves or abolitionists (he is not writing a polemic); instead he provides us with something far more useful: empirical data on just what the institution was, how it worked, what its practices were and what putative justifications were offered by its proponents for its existence and nature. In doing so, Stampp gives his readers a far more damning criticism of slavery than any other writer I have encountered since reading Stampp's book for a high school history class in 1969. Stampp expertly strips the subject of the emotion and bias (on both sides) that has obscured the facts (history is distinct from myth and propaganda to the extent that it is about *facts* assembled through valid inferences) about slavery.
Some trite but persisting claims about slavery debunked by Stampp are:
(1) the myth that all (or even a majority) of Southern whites owned slaves. [A white family had to be fairly well off even to afford owning even one slave; a huge proportion of whites were scarcely better off financially or in terms of workload than were many slaves.]
(2) the myth that the institution of slavery was in fact predicated upon "bettering" the lot of Africans, or even "taking care of them"(the view that blacks were incurably biologically, poltically, socially or otherwise "inferior" to whites. [Even thoough these arguments for various policies concerning the treatment of slaves were often argued by defenders of the Peculiar Institution, the facts of the actual practice of slave belie both of these claims. Adding up the actual "benefits" slaveowners offered blacks, the fact is that blacks were not subjected to any sort of "improvement". (Bible study, as Mark Twain -- still a key observer of the *realities* of slavery! -- served to entertain and enculturate slaves -- even subjugate them as a "lower class", NOT as moral or social improvement. Policies (actual practices, whatever the rhetoric) toward slaves did NOT lead towards freedom or citizenship at all. (Facts may be cold, as one review pointed out -- but they tend to outweigh rhetoric or sentiment) -- and they are far harder to dismiss or impeach. ]
(3) in connnection with (2), Stampp's collection of data belies the claim that the typical slaveowner had any education or insight into the "care and feeding" -- much less mental and moral development -- of Africans. The chapter on the theory and practice of diet and health as applied to slaves alone (a section guaranteed to make the reader physically queasy) says more about not only the awfulness of the institution slavery, but the incredible -- beyond incredible -- ignorance and poor (one could say "inferior") judgment of slave owners. The myth that slaves were "bred" (or even captured or bought (usually bought) in Africa) and "fed" and cared for with even the insight one needed to raise cattle is dispelled by Stampp. An typcial African in Africa, left to fend for his food and health in "the uncivilized jungles" of the "dark continent" stood a far bettter chance of living healthily and to a ripe age than the typical American slave (I am not even considering the most highly exploited slaves of the very deep south (or in the "island") who were literally worked to death -- even "well treated slaves" were raised and fed and cared in compliance with white superstituions that rivaled any African mystical practices.
(4) One of the biggest myths addressed by Stampp is the myth that the slave economy was even a viable alternative to free enterprise (even in the most rudimentary and primitive sense of 'free enterprise' in which the free worker struggled to get work, do work, and earn enough to stay alive. Even if one writes off slaves as having absolutely NO value whatsoever as human beings to society (a direct and flagrant contradiction to the claims of pro-slave moralists -- but that's one of the many "peculiarities" of the Peculiar Institution!) Stampp provide data to show that as far as economic develop in America was concerned, slavery could be considered at best a poor alternative to other economic systems (not only "free enterprise, but even to "utopian closed-and-regulated societies, of which there were many then as now), a crutch to be abandoned at the earliest opportunity possible, not a "way of life", even for white slave owners, much less poor whites (who did NOT benefit from slavery economically, and only generated a sort of class resentment against African-American slaves.)
And there are plenty of other insights to be found in this half-century-old book that make it still worth purchasing and reading. This book is rich with balanced, documented facts -- conspicuously missing or undervalued in today's "subjective viewpoint historian" arguments. A subjective viewpoint -- even one as twisted as that of the advocates and defenders of "the Peculiar Institution" -- is not easily or effective refuted by another subjective viewpoint. Facts speak for themselves, and Stampp does an excellent job of providing facts which completely undermine the romantic notions (pro and con) of slavery, and showe it for what it was, an inept, ill-conceived, irrational, contradictory, absurd, manifestly unproductive and unfair institution which, if subject to the sort of review institutions these days are accountable to, would never have passed the initial blueprint stage.
Two final comments:
(1) RE comments other reviewers have made about this book. The use of the word "negro" (critized by one reviewer as antiquated) in Stampp's 1955 preface, was NOT antiquated in 1955, but a term accepted (even preferred) by most African Americans. Given Stampp's meaning and use of the term, it is still acceptable by all but those persons (of any race) who can some how manage to read through the account of one of the most unbelievably sickening, savage and idiotic institutions in human history and only take offense at the use of the term "negro", and at a writer who has portrayed a remarkably faithful, accurate, insightful and *useful* look at "the land of the free" 's most infamous institution, the negative effects of which we (all of us) still feel today.
(2) For the would-be reader still not convinced a book of this nature (neither a polemic now an apology, but an empirically based handbook on the pathology of slavery) is good or useful, I highly recommend this book as a useful good in examining the claims of modern-day oppressors (a large number, even if one restricts one's scope to the continent of Africa and the mid-East alone(!) ) that their nations or subcultures are "for the greater good", despite their differences from present-day American "culture". Stampp's book provides a methodology for evaluating such spurious claims the would-be sociologist, political scientist, anthropologist or other "critic" of contemporary human culture is seriously and truthfully and conscientiously attempting to evaluate.
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Soul by Soul: Life Inside the Antebellum Slave Market Review

Soul by Soul: Life Inside the Antebellum Slave Market
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In a book that argues that the slave trade itself fundamentally defines American slavery as a whole, a focus on the brutality and inhumanity of slavery would be expected. The tragedy of individuals torn from their families, kept in inhumane conditions in the slave markets, and sold to strangers who likely would physically abuse them is certainly one focus of Soul By Soul. However, Walter Johnson has gone much further than that in defining the slave markets as central to our understanding of slavery. Through creative interpretation of numerous personal and business documents drawn from slave dealers and owners, the court transcripts produced when their bargains went awry, and the haunting memoirs of slaves who either came through the markets themselves or had relatives who did, Johnson shows that the act of buying a human being was profoundly important to the Southern mind in ways that transcend economics or dynamics of power. It is thus not possible to dismiss Johnson's interpretation with the argument that the majority of slaves never passed through the traders' hands, so their experience with the market was negligible and therefore of less importance than Johnson would suggest. This is a book less about the experience of black slaves in the market than about the effect those markets had on the white psyche.
Johnson sees southern whites as consumers, ready to be marketed to in the modern sense. Traders knew this and were prepared to advertise their wares in ways that would allow those consumerist impulses to be satisfied. The purchase of a first slave for a man just starting to build his fortune was an act of hope; the buyer's dreams of prosperity rested upon the slave whom he had chosen, in a sense transferring dependence from the slave to the paternalist himself. Wealthier buyers could impose their own fantasies upon their purchases; domestic slaves could bring respectability to a household by relieving the master's wife from physical labor. Slaves could also establish a master's reputation among his peers by being 'stubborn' or 'unruly' slaves whom the master could break, establishing his power. They could also embody sexual fantasies, allow a white man to create a role for himself as a paternalist, or simply reflect well on their owner by being 'good purchases.' Much as a man may express his desired appearance to others by purchasing a certain model of car, and judges others buy what they drive, so did slaveholders define and judge themselves according to the quality of slaves they owned.
Similarly, just as slaveowners defined themselves according to their actions in the market, they also defined slaves' humanity according to their market value, using racial and physical markers to determine the abilities of their purchases. However, the human nature of their property inevitably led to slave owners being dissatisfied with their purchases; slaves seldom fulfilled the materialist fantasies of their buyers. Violence was the surest response, as slave owners expressed their disappointment with 'faulty products.' Slaves could be returned for failing to perform as the traders had promised, but more often they were simply whipped. Presumably, slaves' common experiences drew them closer to one another, as Johnson argues. However, his sources show that slaves frequently judged each other in ways reminiscent of the slaveholders' own criteria, that is upon skin color, intelligence, attitude, etc. Arguing that they automatically united against whites is perhaps sensible, but not supported by Johnson's sources. This however, is one of the few flaws in Johnson's otherwise insightful analysis.

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Adventures of an African Slaver Review

Adventures of an African Slaver
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A FAST PACED FIRST PERSON NARRATIVE OF THE LIFE OF CAPTAIN THEODORE CANOT, TRADER IN GOLD, IVORY AND SLAVES ON THE COAST OF GUINEA CIRCA 1854. CAPT. CANOT HAD QUITE A LIFE AND THE BOOK IS WRITTEN IN A MANNER THAT SEEMS TO DEFY DATING IN THAT IT IS EASY TO READ; TO GET INVOLVED IN, AND GIVES ONE MAN'S VIEW OF AN ERA THAT PLAYED A LARGE PART IN HISTORY. NOT AS ROUGH AS ONE WOULD EXPECT.

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Speculators And Slaves: Masters, Traders, And Slaves In The Old South Review

Speculators And Slaves: Masters, Traders, And Slaves In The Old South
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Calmly and with much use of statistics, Tadman utterly smashes any idea that the master-slave relationship might have been truly paternal or any good at all for the slaves. This book starts slowly but leads to a strong, harsh conclusion: slave owners had virtually no regard for their slaves' family lives or happiness. It includes many good tables and historic illustrations.

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