Personal Memoirs of U. S. Grant Review

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(More customer reviews)General Grant wrote this book while dying of throat cancer. He had been swindled by a dishonest Wall Street Broker and his trophies and possessions were stripped from him to satisfy the demands of his debtors. Bankrupt, suffering from a terminal illness and never passing a moment without acute pain, he produced this magnificent monument to his greatness. Those who denigrate Grant as a drunkard, butcher, bumbling President need to read this book in order to correct these errant assumptions. It is impossible to read this book and not realize that Grant was an inordinately intelligent man and one hell of a writer.
Grant's Memoirs are a deserved classic in American literature and considered the greatest military Memoirs ever penned, exceeding Caesar's Commentaries. Grant wrote as he lived: with clear, concise statements, unembellished with trivialities or frivolities. The only "criticism" the reader might have is that Grant bent over backwards not to wound the feelings of people in the book. He takes swipes at Joe Hooker and Jeff Davis, but what he left unsaid would have been far more interesting. A compelling and logical reason why Grant was so spare in his comments was because he was involved in a race with death. He didn't know how long he could live and therefore, "cut to the chase."
Grant's assessments of Lincoln, Sherman, Sheridan and other military leaders are brilliant and engrossing. His style, like the man himself, was inimitable and couldn't be copied. In everyday life, Grant was a very funny man, who liked to listen to jokes and tell them himself. His sense of the absurd was acute. It's no accident that he loved Mark Twain and the two hitched together very well. Twain and Grant shared a similar sense of humor, and Grant's witicisms in the Memoirs are frequent, unexpected and welcome. There are portions where you will literally laugh out loud.
Though Grant's Memoirs were written 113 years ago, they remain fresh, vibrant and an intensely good read. I have read them in! their entirity 30 times in my life and I never weary of the style and language that Grant employed. He was a military genius to be sure, but he was also a writer of supreme gifts, and these gifts shine through on every page of this testament to his greatness. All Americans should read this book and realize what we owe to Grant: he preserved the union with his decisive brilliance. In his honor, we should be eternally grateful.

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"Personal Memoirs of U. S. Grant" is considered among the greatest of military memoirs. Marshalling the forces of the North in the American Civil War, he was the only general who was able to bring the South to heels. The descriptions of the great battles and his assessments of the generals, many of whom he knew intimately from the Mexican war, are worth reading.

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William Faulkner: Novels, 1957-1962: The Town / The Mansion / The Reivers (Library of America) Review

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(More customer reviews)The Library of America (LOA) has done a wonderful job of publishing all of Faulkner's novels in five compact, uniform editions. Besides being handsome, beautifully typeset volumes, they contain the texts of one America's most brilliant authors in versions that are as authoritative as can reasonably be expected. All five volumes were edited by two of the foremost Faulkner scholars--Noel Polk and Joseph Blotner; and each volume contains their notes on the text and a detailed chronology of Faulkner's life (In case you ever find yourself wondering when Faulkner entered first grade, the year was 1905; he enjoyed drawing and painting.) The scholarship and care that went into the preparation of the LOA Faulkner is impeccable.
Within the LOA series, the novels are arranged chronologically (though the volumes were not released in sequence). Consequently, the present volume contains the last two novels (The Town and The Mansion) in Faulkner's great trilogy, The Snopes. To get the first (and critically proabably the best) novel in the trilogy, The ;Hamlet, you'll have to purchase William Faulkner: Novels 1936-1940 (ISBN 0-940450-55-0). Since that volume also includes Faulkner's masterpiece Absalom! Absalom!, it is worth the purchase price. In my opinion, it is impossible to overpraise The Snopes trilogy, and it is difficult to summarize its themes. Suffice it to say, the trilogy encompasses many genres (myth, folklore, legend, realism, epic) while provideing an insightful and scathing commentary on the American dream, society, and the tension between traditional values and modernity. (Faulkner's insights make Theodore Dreiser look like an entertainment Tonight! reporter.) Although The Town has been called a "weak plank between two substantial boulders," I have to confess a fondness for its depiction of the goofy and sexually naive town lawyer, Gavin Stevens (also the hero of Faulkner's Knight's Gambit short stories). I would also venture to say that readers' uncomfortability with The Town may also be a reflection of the fact that this part of the trilogy represents the "real world of the present"--not our mythic past which we nostalgically recast to flatter our self-image (The Hamlet), nor an expression of our "wildest dreams," what we expect our life to be like "when our ship comes in" (The Mansion). Most of life, in other words, is taken up not with valiant struggles and bold accomplishments, but with the pettiness of domestic life and trying to get along with others. The Town (published in 1957), therefore, can be seen as the flip side of Father Knows Best, Leave It to Beaver, and all the other 1950s family sitcoms. Taken in that vein, I think it's a good satire and a delectable opera bouffe between two grand operas.
Daniel J. Singal in William Faulkner: The Making of a Modernist (1997; Univeristy of North Carolina Press) pinpoints November 1940 as the date when Faulkner's genius and talent began to irreversibly fade. While on a camping trip Faulkner, always a heavy drinker and surely already an alcoholic for many years, suffered brain damage when he passed out while drinking. If this is true, that means all three novels collected in Novels 1957-1962 were written during the Nobel laureate's waning years. Concerning the many passages of brilliant writing in The Mansion, Singal notes that many of these had been previously published as short stories and only reworked to become part of the novel. It is hard to imagine how The Mansion could have been better (though I'm sure there is no shortage of Faulkner scholars willing to suggest some scenarios). As far as The Reivers goes, I have long recommended this novel to friends who want to read something by Faulkner but are intimidated by the structural challenges of The Sound and the Fury or Absalom! Absalom! The Reivers is a nostalgic look at the early days of Jefferson (the key town in Faulkner's invented Yoknapatawpha County) told mostly through the eyes of a young boy. The story is linear and easy to follow, and the humor is some of Faulkner's funniest and most heart-warming. If this is Faulkner at his most diminished, most American novelists writing today should be so diminished!
So buy both Novels 1936-1940 and Novels 1957-1962 and treat yourself to The Snopes trilogy. Then, after you've finished it, rent "The Long Hot Summer" and see what a mangle Hollywood made of Faulkner's richly imagined world.

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William Faulkner's fictional chronicle of YoknapatawphaCounty culminates in his three last novels, rich with the history andlore of the domain where he set most of his novels and stories. "TheTown" (1957), the second novel of the Snopes trilogy that began with"The Hamlet," charts the rise of the rapacious Flem Snopes and hisextravagantly extended family as they connive their way into power. In"The Mansion" (1959), the trilogy's conclusion, a wronged relativefinally destroys Flem and his dynasty. Faulkner's last novel, "TheReivers: A Reminiscence" (1962), distinctly mellower and more elegiacthan his earlier work, is a picaresque adventure that evokes the worldof childhood with a final burst of comic energy. "Novels 1957-1962,"like previous volumes in The Library of America's edition of thecomplete novels of William Faulkner, has been newly edited by textualscholar Noel Polk to establish an authoritative text, that features achronology and notes by Fau!lkner's biographer Joseph Blotner.

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The Conjure Woman and Other Tales Review

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(More customer reviews)What is most interesting about these stories is both the narrative framework & the way the narrator of the stories about the black community (there are essentially two narrators) uses magic ("The Goophered Grapevine" and "Po' Sandy" especially) to usurp the authority of the white landowner (the primary narrator, who is re-telling the stories Julius has told him). Maybe it takes an understanding of African American literary traditions-- signifying, call & response, etc, to really dig in, but you can still relate without that background.
There are multiple layers of narration going on-- and once you can get through those layers, you can both enjoy the story-line and understand something pivotal about the way the African American genre works. The dialect and speech patterns are represented in a way that was criticized by some early African American writers who wanted a more "realistic" "naturalistic" and political structure. But underneath the "quaint" nature of the stories about magic & the slave/master relationship are some very subtle and very powerful images of how the slave and master influence *each other*-- that there are differences in the power dynamic than what we expect. It might be hard to get into the language-- but once you do, it's not overdone. Read the dialect the way you would learn another language; it's English, with a twist. There is also a great story on "passing," and some exploration of voodoo. This is a text that should be taught alongside Faulkner & Flannery O'Connor-- another look at the South.

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Zora Neale Hurston : Folklore, Memoirs, and Other Writings : Mules and Men, Tell My Horse, Dust Tracks on a Road, Selected Articles (The Library of America, 75) Review

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(More customer reviews)This book and its companion from the library of america, have everything that Hurston wrote - except some unedited manuscripts, and some articles and short stories.
Her interest in language, folklore and ritual, and the cult of local color comes through in all of her works. The personalities and struggles, failures and victories of all of her characters become real for the reader.
She is writing earlier in the 20th century, when people were starting to buy radios and automobiles -- she saw a lot of the south, and north, rapidly transform into the beginnings of the consumer culture we know today.
When I read Hurston, it is like I feel an anxiety to preserve. I sense a underlying insight, that she probably had, that within a couple of generations, the rhythm of life would radically change.
I think she saw that a lot of the folk traditions and rituals in North America would disappear, so she did what she could to demonstrate a vibrant african american cultural life, as she knew it, and interpreted it.
The two collections of Hurston's work show the span of her writing, over her lifetime. These pieces reveal how many of her imagination and many of her themes and character-types evolve over the years.
I recommend the two volumes.

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