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(More customer reviews)The Library of America (LOA) has done a wonderful job of publishing all of Faulkner's novels in five compact, uniform editions. Besides being handsome, beautifully typeset volumes, they contain the texts of one America's most brilliant authors in versions that are as authoritative as can reasonably be expected. All five volumes were edited by two of the foremost Faulkner scholars--Noel Polk and Joseph Blotner; and each volume contains their notes on the text and a detailed chronology of Faulkner's life (In case you ever find yourself wondering when Faulkner entered first grade, the year was 1905; he enjoyed drawing and painting.) The scholarship and care that went into the preparation of the LOA Faulkner is impeccable.
Within the LOA series, the novels are arranged chronologically (though the volumes were not released in sequence). Consequently, the present volume contains the last two novels (The Town and The Mansion) in Faulkner's great trilogy, The Snopes. To get the first (and critically proabably the best) novel in the trilogy, The ;Hamlet, you'll have to purchase William Faulkner: Novels 1936-1940 (ISBN 0-940450-55-0). Since that volume also includes Faulkner's masterpiece Absalom! Absalom!, it is worth the purchase price. In my opinion, it is impossible to overpraise The Snopes trilogy, and it is difficult to summarize its themes. Suffice it to say, the trilogy encompasses many genres (myth, folklore, legend, realism, epic) while provideing an insightful and scathing commentary on the American dream, society, and the tension between traditional values and modernity. (Faulkner's insights make Theodore Dreiser look like an entertainment Tonight! reporter.) Although The Town has been called a "weak plank between two substantial boulders," I have to confess a fondness for its depiction of the goofy and sexually naive town lawyer, Gavin Stevens (also the hero of Faulkner's Knight's Gambit short stories). I would also venture to say that readers' uncomfortability with The Town may also be a reflection of the fact that this part of the trilogy represents the "real world of the present"--not our mythic past which we nostalgically recast to flatter our self-image (The Hamlet), nor an expression of our "wildest dreams," what we expect our life to be like "when our ship comes in" (The Mansion). Most of life, in other words, is taken up not with valiant struggles and bold accomplishments, but with the pettiness of domestic life and trying to get along with others. The Town (published in 1957), therefore, can be seen as the flip side of Father Knows Best, Leave It to Beaver, and all the other 1950s family sitcoms. Taken in that vein, I think it's a good satire and a delectable opera bouffe between two grand operas.
Daniel J. Singal in William Faulkner: The Making of a Modernist (1997; Univeristy of North Carolina Press) pinpoints November 1940 as the date when Faulkner's genius and talent began to irreversibly fade. While on a camping trip Faulkner, always a heavy drinker and surely already an alcoholic for many years, suffered brain damage when he passed out while drinking. If this is true, that means all three novels collected in Novels 1957-1962 were written during the Nobel laureate's waning years. Concerning the many passages of brilliant writing in The Mansion, Singal notes that many of these had been previously published as short stories and only reworked to become part of the novel. It is hard to imagine how The Mansion could have been better (though I'm sure there is no shortage of Faulkner scholars willing to suggest some scenarios). As far as The Reivers goes, I have long recommended this novel to friends who want to read something by Faulkner but are intimidated by the structural challenges of The Sound and the Fury or Absalom! Absalom! The Reivers is a nostalgic look at the early days of Jefferson (the key town in Faulkner's invented Yoknapatawpha County) told mostly through the eyes of a young boy. The story is linear and easy to follow, and the humor is some of Faulkner's funniest and most heart-warming. If this is Faulkner at his most diminished, most American novelists writing today should be so diminished!
So buy both Novels 1936-1940 and Novels 1957-1962 and treat yourself to The Snopes trilogy. Then, after you've finished it, rent "The Long Hot Summer" and see what a mangle Hollywood made of Faulkner's richly imagined world.
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William Faulkner's fictional chronicle of YoknapatawphaCounty culminates in his three last novels, rich with the history andlore of the domain where he set most of his novels and stories. "TheTown" (1957), the second novel of the Snopes trilogy that began with"The Hamlet," charts the rise of the rapacious Flem Snopes and hisextravagantly extended family as they connive their way into power. In"The Mansion" (1959), the trilogy's conclusion, a wronged relativefinally destroys Flem and his dynasty. Faulkner's last novel, "TheReivers: A Reminiscence" (1962), distinctly mellower and more elegiacthan his earlier work, is a picaresque adventure that evokes the worldof childhood with a final burst of comic energy. "Novels 1957-1962,"like previous volumes in The Library of America's edition of thecomplete novels of William Faulkner, has been newly edited by textualscholar Noel Polk to establish an authoritative text, that features achronology and notes by Fau!lkner's biographer Joseph Blotner.
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