Three Famous Short Novels: Spotted Horses / Old Man / The Bear Review

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(More customer reviews)This was a challenging story, like all works of Faulkner. But also a very rewarding story. When you finish this one you feel like you have been somewhere... truly immersed in a time period... truly immersed in a family.
No author, ever... has had the knack of creating a world of ordinary people so expertly intertwined throughout his novels. Faulkner either by design or accident (I doubt that??) has created a rich tapestry in his books, of characters subtlely connected by time and circumstance.
I have read The Sound and the Fury and most of Light in August; and it is not difficult to see the connections in just these two books plus the short story The Bear. Everything I have chanced to read by this amazing author has had careful, deep, intricate connections to the other works.
I know this is a well known fact... but the way in which Faulkner executes it, leaves me amazed each and every time I encounter it.
The Bear is a coming of age story about Ike McCaslin. It traces his development to a young man through several vingettes. Each time we see him he is involved in a hunt. That is until the last 2 sections in which we see him at age 21 looking back on his family history and discussing his right to the land. Once we see him as a young boy and then onward into his teenage years.
The story revolves around an aged bear who roams the forests and swamps where they hunt. It is interesting to see Ike develop as a hunter and man, as the hunters get closer and closer to the old bear.
There are many rich characters in this story.... far to many for me to touch on in this short review.
A big theme that impressed me in this one was how our personal history is inexticably tied to the land we grow up on. Ike McCaslin was, "who" he was because of where he was from, and he could never escape that fact.
Faulkner was an author unafraid to delve into the scriptures in developing his ideas. I believe his use of scriptural narratives only serves to strengthen his work. What he says, rings with authority when he uses Abraham, Adam and Eve as illustrations. He expertly uses the story of Abrahams travels to the promised land to show how his characters have squandered their "rights" to the land they grew up on... their "promised land".
There is no doubt William Faulkner knew how to put a story together. Any of his works, beg to be read again and again. I will surely be picking this one up again... I recommend it to anyone who loves books! William Faulkner is a giant in the world of literature!

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Three different ways to approach Faulkner, each of them representative of his work as a whole. Includes "Spotted Horses," "Old Man," and his famous "The Bear."

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William Faulkner: Novels, 1957-1962: The Town / The Mansion / The Reivers (Library of America) Review

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(More customer reviews)The Library of America (LOA) has done a wonderful job of publishing all of Faulkner's novels in five compact, uniform editions. Besides being handsome, beautifully typeset volumes, they contain the texts of one America's most brilliant authors in versions that are as authoritative as can reasonably be expected. All five volumes were edited by two of the foremost Faulkner scholars--Noel Polk and Joseph Blotner; and each volume contains their notes on the text and a detailed chronology of Faulkner's life (In case you ever find yourself wondering when Faulkner entered first grade, the year was 1905; he enjoyed drawing and painting.) The scholarship and care that went into the preparation of the LOA Faulkner is impeccable.
Within the LOA series, the novels are arranged chronologically (though the volumes were not released in sequence). Consequently, the present volume contains the last two novels (The Town and The Mansion) in Faulkner's great trilogy, The Snopes. To get the first (and critically proabably the best) novel in the trilogy, The ;Hamlet, you'll have to purchase William Faulkner: Novels 1936-1940 (ISBN 0-940450-55-0). Since that volume also includes Faulkner's masterpiece Absalom! Absalom!, it is worth the purchase price. In my opinion, it is impossible to overpraise The Snopes trilogy, and it is difficult to summarize its themes. Suffice it to say, the trilogy encompasses many genres (myth, folklore, legend, realism, epic) while provideing an insightful and scathing commentary on the American dream, society, and the tension between traditional values and modernity. (Faulkner's insights make Theodore Dreiser look like an entertainment Tonight! reporter.) Although The Town has been called a "weak plank between two substantial boulders," I have to confess a fondness for its depiction of the goofy and sexually naive town lawyer, Gavin Stevens (also the hero of Faulkner's Knight's Gambit short stories). I would also venture to say that readers' uncomfortability with The Town may also be a reflection of the fact that this part of the trilogy represents the "real world of the present"--not our mythic past which we nostalgically recast to flatter our self-image (The Hamlet), nor an expression of our "wildest dreams," what we expect our life to be like "when our ship comes in" (The Mansion). Most of life, in other words, is taken up not with valiant struggles and bold accomplishments, but with the pettiness of domestic life and trying to get along with others. The Town (published in 1957), therefore, can be seen as the flip side of Father Knows Best, Leave It to Beaver, and all the other 1950s family sitcoms. Taken in that vein, I think it's a good satire and a delectable opera bouffe between two grand operas.
Daniel J. Singal in William Faulkner: The Making of a Modernist (1997; Univeristy of North Carolina Press) pinpoints November 1940 as the date when Faulkner's genius and talent began to irreversibly fade. While on a camping trip Faulkner, always a heavy drinker and surely already an alcoholic for many years, suffered brain damage when he passed out while drinking. If this is true, that means all three novels collected in Novels 1957-1962 were written during the Nobel laureate's waning years. Concerning the many passages of brilliant writing in The Mansion, Singal notes that many of these had been previously published as short stories and only reworked to become part of the novel. It is hard to imagine how The Mansion could have been better (though I'm sure there is no shortage of Faulkner scholars willing to suggest some scenarios). As far as The Reivers goes, I have long recommended this novel to friends who want to read something by Faulkner but are intimidated by the structural challenges of The Sound and the Fury or Absalom! Absalom! The Reivers is a nostalgic look at the early days of Jefferson (the key town in Faulkner's invented Yoknapatawpha County) told mostly through the eyes of a young boy. The story is linear and easy to follow, and the humor is some of Faulkner's funniest and most heart-warming. If this is Faulkner at his most diminished, most American novelists writing today should be so diminished!
So buy both Novels 1936-1940 and Novels 1957-1962 and treat yourself to The Snopes trilogy. Then, after you've finished it, rent "The Long Hot Summer" and see what a mangle Hollywood made of Faulkner's richly imagined world.

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William Faulkner's fictional chronicle of YoknapatawphaCounty culminates in his three last novels, rich with the history andlore of the domain where he set most of his novels and stories. "TheTown" (1957), the second novel of the Snopes trilogy that began with"The Hamlet," charts the rise of the rapacious Flem Snopes and hisextravagantly extended family as they connive their way into power. In"The Mansion" (1959), the trilogy's conclusion, a wronged relativefinally destroys Flem and his dynasty. Faulkner's last novel, "TheReivers: A Reminiscence" (1962), distinctly mellower and more elegiacthan his earlier work, is a picaresque adventure that evokes the worldof childhood with a final burst of comic energy. "Novels 1957-1962,"like previous volumes in The Library of America's edition of thecomplete novels of William Faulkner, has been newly edited by textualscholar Noel Polk to establish an authoritative text, that features achronology and notes by Fau!lkner's biographer Joseph Blotner.

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The Town: A Novel of the Snopes Family Review

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(More customer reviews)The Town is the second volume of Faulkner's Snopes trilogy, picking up the story from the moment of Flem Snopes's arrival in Jefferson, Mississippi. With the foundation firmly laid in The Hamlet, Faulkner is free to delve deep into the character of Flem, the volatile Snopes-Varner dynamic, and the fascinating interaction between Eula, Gavin Stevens, and Linda Snopes, the pawn in her father's plan to take over Jefferson. Not surprisingly, another host of Snopes parade onto the scene; but it is Flem and his underhanded, diabolical shenanigans that make this novel a joy to read. The ending is both humorous and seriously disturbing, paving the way for the Fall of the House of Snopes in The Mansion. One note: while the book jacket claims The Town may be read on its own, I would highly discourage it; trek through The Hamlet first before launching into it--it is well worth your time.

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All God's Dangers: The Life of Nate Shaw Review

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(More customer reviews)This is a timeless classic, and not just among memoirs, because the subject was a great American---a man who "had no get-back in him." Nate Shaw (real name Ned Cobb) had an amazing memory, and also an acute understanding of the post-Civil War rural South. The rhythm of the seasons, work routines, knowledge of livestock, nature and people too, combine for a profound view of a vanished America. (If you want to really know about mules, Ned's the man.) But Ned didn't just observe, he worked with the Alabama Sharecroppers' Union and defended powerless friends, serving 12 years in prison for his pains. This activism sets him apart from Kas Maine, a South African sharecropper to whom he's been compared in recent years. The earthy dialect wears out some readers, but otherwise "All God's Dangers" is compelling from start to end. Writers from Wendell Berry to Pete Daniel praise both man and book, while John Beecher's "In Egypt Land" is a moving poetic rendition of Ned's story. R. Kelley, "Hammer & Hoe" vividly recreates 1930s Alabama; on Kas Maine, see C. Van Onselen, "The Seed Is Mine." But Ned tells about his world far better than the others. In living, then narrating, a life of great struggle lived with great dignity, Ned Cobb performed a signal service---for all of us. We are in your debt!

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All God's Dangers won the National Book Award in 1975."There are only a few American autobiographies of surpassing greatness. . . . Now there is another one, Nate Shaw's."—New York Times"On a cold January morning in 1969, a young white graduate student from Massachusetts, stumbling along the dim trail of a long-defunct radical organization of the 1930s, the Alabama Sharecropper Union, heard that there was a survivor and went looking for him. In a rural settlement 20 miles or so from Tuskegee in east-central Alabama he found him—the man he calls Nate Shaw—a black man, 84 years old, in full possession of every moment of his life and every facet of its meaning. . . . Theodore Rosengarten, the student, had found a black Homer, bursting with his black Odyssey and able to tell it with awesome intellectual power, with passion, with the almost frightening power of memory in a man who could neither read nor write but who sensed that the substance of his own life, and a million other black lives like his, were the very fiber of the nation's history." —H. Jack Geiger, New York Times Book Review"Extraordinarily rich and compelling . . . possesses the same luminous power we associate with Faulkner." —Robert Coles,Washington Post Book World"Eloquent and revelatory. . . . This is an anthem to human endurance." —Studs Terkel, New Republic"The authentic voice of a warm, brave, and decent individual. . . . A pleasure to read. . . . Shaw's observations on the life and people around him, clothed in wonderfully expressive language, are fresh and clear."—H.W. Bragdon, Christian Science Monitor"Astonishing . . . Nate Shaw was a formidable bearer of memories. . . . Miraculously, this man's wrenching tale sings of life's pleasures: honest work, the rhythm of the seasons, the love of relatives and friends, the stubborn persistence of hope when it should have vanished . . . All God's Dangers is most valuable for its picture of pure courage."—Paul Grey, Time"A triumph of ideas and historical content as well of expression and style."—Randall Jarrell, Harvard Educational Review"Tremendous . . . a testimony of human nobility . . . the record of a heroic man with a phenomenal memory and a life experience of a kind of seldom set down in print. . . . a person of extraordinary stature, industrious, brave, prudent, and magnanimous. . . . One emerges from these hundred of pages wiser, sadder, and better because of them. A unique triumph!"—Alfred C. Ames, Chicago Tribune Book World"Awesome and powerful . . . A living history of nearly a century of cataclysmic change in the life of the Southerner, both black and white . . . Nate Shaw spans our history from slavery to Selma, and he can evoke each age with an accuracy and poignancy so pure that we stand amazed."—Baltimore Sun

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The Unvanquished: The Corrected Text Review

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(More customer reviews)This book, in my opinion, is the best introduction to Faulkner possible where the reader has a chance to become accustomed to the sentence structure (to some extent: the longest sentence in The Unvanquished doesn't seem to run for even a page, making this quite simplistic by Faulknerian standards) without having to worry about an overly confused plot. Although there are parts where the reader will have to back up and read a passage over, it is far more straightforward than others of Faulkner's works.
This story chronicles the growth of Bayard Sartoris from the child who thinks war is a game (even though it isn't all that far from him) and can't imagine the consequences when he plays his games a little too close to the Yankees (Ambuscade) into a man who, when faced with the tragedy of his father's demise, must make this decision: who lives by the sword shall die by it--is it time to change the Southern tradition of bloodshed?
It is also the story of the South as it undergoes its most severe upheaval in its history: the Civil War and Reconstruction, and the effect on its people.
In my opinion, the best way to get acquainted with Faulkner is to begin with The Unvanquished. Once you're done with that, I suggest Intruder in the Dust. Be warned, though, that the latter isn't nearly as simple as The Unvanquished and there is a sentence that (if I recall correctly) runs for five or six pages (or more, but I'm not entirely sure). The good thing, at least, is that you can get used to the confusing syntax while the plot is still reasonably clear: what is clearer than a murder mystery and story of racial injustice (which, as the reader will gather from The Unvanquished, is one of the themes with which Faulkner is concerned in almost all his works)? Once you are used to seeing things from a somewhat blurred perspective (and to dealing with that syntax and stream-of-consciousness technique), I suggest moving on to Go Down, Moses (but you REALLY need to look at a McCaslin genealogy first, and to do this you should go to William Faulkner On the Web), and the stories in this book range from fairly simple to truly confusing (The Bear: it is in this story where you will be very glad you read Intruder In the Dust first!). And finally, you're ready for The Sound and the Fury (all of this, of course, is my own opinion about Faulkner; the reader may tackle these books in any order which he or she chooses: BUT DEFINITELY START WITH THE UNVANQUISHED!)

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Set in Mississippi during the Civil War and Reconstruction, THE UNVANQUISHED focuses on the Sartoris family, who, with their code of personal responsibility and courage, stand for the best of the Old South's traditions.

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Go Down, Moses Review

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(More customer reviews)I first bought "Go Down, Moses" for an undergraduate course in American Literature, read "The Bear" as required, and quickly forgot about the rest of the book. This Thanksgiving I picked it up again as a replacement for my usual airport-bookstore holiday reading. Thank goodness! Nothing like some heavy-duty race and environmental issues to spice up your turkey and stuffing.
Faulkner has always been a pleasant read for me, because I find it quite challenging. "Go Down, Moses" is no exception. In particular, the genealogy of the McCaslin-Edmonds-Beauchamp family causes no end of confusion. You will encounter characters named McCaslin Edmonds, Carothers McCaslin, Carothers McCaslin Edmonds, etc... (I found drawing a family tree helped me immensely)! Furthermore, the narrative is hardly linear; characters jump around in space and time, tell stories of other peoples' experiences in the midst of their own reminiscences, and in general relate their tales in a manner that will keep you constantly flipping back and forth through the book. That being said, I happen to *enjoy* books like this, where the reader is not a passive recipient of information but actively engaged in the process of determining plot, characters, and truth. I like this style because it reminds me of how we construct narratives in our own minds. We go off on tangents, we ramble endlessly before returning suddenly to our original subject, we remember things as they occur to us more often than we do in chronological order. Faulkner is more psychologist than novelist: he puts us inside the minds of his characters and lets them tell the story for themselves. If you want a clear-cut, action-driven story instead of a thoughtful and intimate history, Faulkner is not for you.
For those still with me, the particular thoughtful and intimate history portrayed in "Go Down, Moses" is that of a Mississippi plantation family and their relationships with their slaves, their land, and their own histories from the antebellum era to the Depression. As many prior reviewers have pointed out, this is indeed a book about race, and I have yet to see a more chilling, touching, and humanly accurate description of race relations in the South. But in my mind an equally crucial, yet often-overlooked, theme of "Go Down, Moses" is the issue of man's relation to land, ownership, and the natural world. Faulkner's descriptions of the virgin Mississippi forest and the vanishing Delta region are both beautiful and powerful, and I think contribute equally to the book in providing it with its distinctive flavor and voice.
As one reviewer has previously mentioned, reading "The Bear" as a standalone story is simply not sufficient. For one, it is the longest section by far in the book, and new readers of Faulkner may easily lose track of the story, or just as easily lose interest altogether. Furthermore, the remainder of this excellent work provides a framework for an understanding and identification with the characters and the landscape of rural Mississippi that they inhabit. Many people - including myself - initially mistake "Go Down, Moses" for a collection of short stories, and this is certainly understandable. Each section of the book *can* be read as a single story, but I wouldn't recommend it. I would recommend (as I did this second time around), reading all the sections in order, starting with "Was". I think this narrative is as fine as any for demonstrating Faulkner's unusual narrative style and flowing, stream-of-consciousness language. If you like "Was," you will almost certainly like the rest of this book; if you like the whole book, you will almost certainly like the majority of Faulkner's works (particularly "The Sound and the Fury," which I cut my Faulkner-loving teeth on in high school).
In the final analysis, however, I think this book serves as the best possible introduction to Faulkner. If you're not sure how you'll feel about his writing, you certainly can read a few sections and see what you think, without feeling completely lost. Faulkner's writing is in top form here, and his characters are compelling, touching, and as always somewhat flawed - they're so human, it's enough to make you... keep reading.

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"I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance." —William Faulkner, on receiving the Nobel Prize Go Down, Moses is composed of seven interrelated stories, all of them set in Faulkner's mythic Yoknapatawpha County. From a variety of perspectives, Faulkner examines the complex, changing relationships between blacks and whites, between man and nature, weaving a cohesive novel rich in implication and insight.

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