Showing posts with label civil rights. Show all posts
Showing posts with label civil rights. Show all posts

From The Bottom Of The Heap: The Autobiography Of Black Panther Robert Hillary King (PM Press) Review

From The Bottom Of The Heap: The Autobiography Of Black Panther Robert Hillary King (PM Press)
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King is best known, along with Herman Wallace and Albert Woodfox, as one of the Angola Three, leaders of a Black Panther Party chapter in Louisiana's Angola Prison who served extensive portions (in the case of Wallace and Woodfox, 36 years) of their sentences in solitary confinement. Since his release, King has campaigned endlessly in support of the release of Wallace and Woodfox. He has also spoken out about the flaws in the criminal justice system, the reality of Southern racism that enjoys official support, and the disparities affecting people of African descent which in turn predicated his Black Panther Party membership. In revealing the details of his life, King employs an arresting writing style and welcomes you in to a world to which few have access.
Heap tells King's story from his youth growing up in the racially stratified Deep South to incarceration, political engagement and quest for freedom. His prose in plain-spoken yet vulnerable, with accounts of a life lived with much forthrightness and few regrets, though seemingly myriad pains. Yarns like King boxing with a rival named Pugnose as a means of resolving a youth jail code's double standard affecting boys and girls dating are symbolic of King's way of storytelling. While his estimations are spot-on, King seems to prefer stepping back and letting the situation speak for itself. Going this course makes for teaching moments on how different society is from King's teenage years and, in other ways, how the world has barely changed, if at all.
Those expecting harrowing prison tales will not find them so much in this book as there are accounts of the everyday life of a young man dealing with the criminal justice system, social inequality and his own hopes for himself. The delicate negotiations of prison life are plumbed certainly. The conditions the Angola Three dealt with and their decision to resist brutality, as well as the facility's response to their demands for basic human rights, are frequently sorrowful. King's courage is nothing short of extraordinary. But really Heap is about much more than politics, survival and adversity. Though Louisiana has yet to atone for the wasted years given by the trio of Black Panther organizers, Heap is one man's shot at making sure a history and a struggle are not lost now or to future generations.

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In 1970, a jury convicted Robert Hillary King of a crime he did not commit and sentenced him to 35 years in prison. He became a member of the Black Panther Party while in Angola State Penitentiary, successfully organizing prisoners to improve conditions. In return, prison authorities beat him, starved him, and gave him life without parole after framing him for a second crime. He was thrown into solitary confinement, where he remained in a six by nine foot cell for 29 years as one of the Angola 3. In 2001, the state grudgingly acknowledged his innocence and set him free. This is his story.It begins at the beginning: born black, born poor, born in Louisiana in1942, King journeyed to Chicago as a hobo at the age of 15. He married and had a child, and briefly pursued a semi-pro boxing career to help provide for his family. Just a teenager when he entered the Louisiana penal system for the first time, King tells of his attempts to break out of this system, and his persistent pursuit of justice where there is none.Yet this remains a story of inspiration and courage, and the triumph of the human spirit. The conditions in Angola almost defy description, yet King never gave up his humanity, or the work towards justice for all prisoners that he continues to do today. From the Bottom of the Heap, so simply and humbly told, strips bare the economic and social injustices inherent in our society, while continuing to be a powerful literary testimony to our own strength and capacity to overcome.

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All God's Dangers: The Life of Nate Shaw Review

All God's Dangers: The Life of Nate Shaw
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This is a timeless classic, and not just among memoirs, because the subject was a great American---a man who "had no get-back in him." Nate Shaw (real name Ned Cobb) had an amazing memory, and also an acute understanding of the post-Civil War rural South. The rhythm of the seasons, work routines, knowledge of livestock, nature and people too, combine for a profound view of a vanished America. (If you want to really know about mules, Ned's the man.) But Ned didn't just observe, he worked with the Alabama Sharecroppers' Union and defended powerless friends, serving 12 years in prison for his pains. This activism sets him apart from Kas Maine, a South African sharecropper to whom he's been compared in recent years. The earthy dialect wears out some readers, but otherwise "All God's Dangers" is compelling from start to end. Writers from Wendell Berry to Pete Daniel praise both man and book, while John Beecher's "In Egypt Land" is a moving poetic rendition of Ned's story. R. Kelley, "Hammer & Hoe" vividly recreates 1930s Alabama; on Kas Maine, see C. Van Onselen, "The Seed Is Mine." But Ned tells about his world far better than the others. In living, then narrating, a life of great struggle lived with great dignity, Ned Cobb performed a signal service---for all of us. We are in your debt!

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All God's Dangers won the National Book Award in 1975."There are only a few American autobiographies of surpassing greatness. . . . Now there is another one, Nate Shaw's."—New York Times"On a cold January morning in 1969, a young white graduate student from Massachusetts, stumbling along the dim trail of a long-defunct radical organization of the 1930s, the Alabama Sharecropper Union, heard that there was a survivor and went looking for him. In a rural settlement 20 miles or so from Tuskegee in east-central Alabama he found him—the man he calls Nate Shaw—a black man, 84 years old, in full possession of every moment of his life and every facet of its meaning. . . . Theodore Rosengarten, the student, had found a black Homer, bursting with his black Odyssey and able to tell it with awesome intellectual power, with passion, with the almost frightening power of memory in a man who could neither read nor write but who sensed that the substance of his own life, and a million other black lives like his, were the very fiber of the nation's history." —H. Jack Geiger, New York Times Book Review"Extraordinarily rich and compelling . . . possesses the same luminous power we associate with Faulkner." —Robert Coles,Washington Post Book World"Eloquent and revelatory. . . . This is an anthem to human endurance." —Studs Terkel, New Republic"The authentic voice of a warm, brave, and decent individual. . . . A pleasure to read. . . . Shaw's observations on the life and people around him, clothed in wonderfully expressive language, are fresh and clear."—H.W. Bragdon, Christian Science Monitor"Astonishing . . . Nate Shaw was a formidable bearer of memories. . . . Miraculously, this man's wrenching tale sings of life's pleasures: honest work, the rhythm of the seasons, the love of relatives and friends, the stubborn persistence of hope when it should have vanished . . . All God's Dangers is most valuable for its picture of pure courage."—Paul Grey, Time"A triumph of ideas and historical content as well of expression and style."—Randall Jarrell, Harvard Educational Review"Tremendous . . . a testimony of human nobility . . . the record of a heroic man with a phenomenal memory and a life experience of a kind of seldom set down in print. . . . a person of extraordinary stature, industrious, brave, prudent, and magnanimous. . . . One emerges from these hundred of pages wiser, sadder, and better because of them. A unique triumph!"—Alfred C. Ames, Chicago Tribune Book World"Awesome and powerful . . . A living history of nearly a century of cataclysmic change in the life of the Southerner, both black and white . . . Nate Shaw spans our history from slavery to Selma, and he can evoke each age with an accuracy and poignancy so pure that we stand amazed."—Baltimore Sun

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Faces At The Bottom Of The Well: The Permanence Of Racism Review

Faces At The Bottom Of The Well: The Permanence Of Racism
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After reading this book, Professor Bell became one of the main reasons I chose to attend NYU School of Law. Bell poignantly tells the story of an oppressed race through allegory that at once is entertaining and educational. Two stories in particular made such an impact that I still feel it a full 5 years after reading the book. The first, Afrolantica, focused on the accomplishments that African Americans can make when working toward a common goal. The ending points out that if African Americans focus and produce we can achieve anything, even the seemingly impossible by using cooperation and productivity. The last story literally reduced me to tears. Though the premise was a little far-fetched it brought home to me the realization of African Americans' importance (or lack their of) as people with hearts, minds and souls to those that form the majority in this country. At first it left me feeling hopeless, but then it made me want to fight harder. And after having met the Professor Bell and sat in his classroom I am certain that my later reaction is what he was after. The other stories are definately worthwhile also, but I point to these two because of the profound emotional effect they had on me. A must read for the believers and non-believers of the theory that racism is so ingrained in American society that it can never be eradicated.

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