Showing posts with label zora neale hurston. Show all posts
Showing posts with label zora neale hurston. Show all posts

I Love Myself When I Am Laughing... And Then Again: A Zora Neale Hurston Reader Review

I Love Myself When I Am Laughing... And Then Again: A Zora Neale Hurston Reader
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I am using this text as mainly research for an honors thesis I am writing for my Undergraduate English major. Although it was extremely helpful making connections and describing Hurston the author, it was also extremely enjoyable, holding not only critical essays but exerpts as well. I'd recommend it to any Hurston fan.

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Zora Neale Hurston: A Life in Letters Review

Zora Neale Hurston: A Life in Letters
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Putting words to paper, from writing letters, notes, or even a book often epitomizes the need to garner those thoughts that should be preserved lest we forget that when done right, can be worth the work. Zora Neale Hurston: A Life In Letters, edited by Karla Kaplan captivates an anthology revealing contradictions and conjectures of a woman who was the most brazenly impious of the Harlem literary avant-garde, and who never fit happily within any political group. This is truly a big book at 880 pages, certainly not one to read verbatim. Even in bulk, the substance therein is worth spending time getting a gist of what was on her mind while appealing to the personalities that she directed the letters to. Ironically, I used a unique method to get more out of this tome by reading it in tandem with Wrapped In Rainbows, a biography written by journalist Valerie Boyd. By doing it this way, I was able to make direct reference to certain passages outlined in the biography whenever emphasis was made to specific letters written. This book has a character of its own, and allows you to feel the essence of Zora herself. The fact that Zora was quoted often enough to be elevated to legendary status, and what you read therein is Zora at her best. The letters were more than 500 in all, written through the eyes of a woman who always had something to say and said it vociferously.
I personally feel that her life in letters reveal more about her than perhaps the entire body of her published works combined, especially since books that were considered autobiographical didn't reveal nearly as much as they should have. Her tone and tenor for the most part was vivacious illustrating wit, irony, satire, and quirky anecdotes that were evident in some capacity as she conveyed her thoughts. The subjects of her intent were to authoritative figures such as Carl Van Vecten, Lanston Hughes, Franz Boaz, Dorothy West, W.E.B. DuBois, Alain Locke, and many others..And you could see what gave her spunk. The true essence of the book other than giving you what you already know about Zora, would be other facets of her personality. I was able to get views of different transitional periods as she endeavored to reinvent herself whenever the mood struck. To wit: Her years as a Barnard College undergrad; Turbulent years trying to conform to Columbia University studying under Franz Boaz; Zora the twice honored Guggenheim fellow; Zora the folklorist; and, Zora in total chaos.
To suffer bitterly and not be considered within the public domain for acceptability, A Life In Letters reads like a gigantic reference manual with gobs of information, a well-documented glossary of the people, places, events, and institutions meticulously annotated by Ms Kaplan. Check out how each decade is introduced by an essay on societal and personal points that distinguished Zora relative to that specific time frame. This is a fine, well put together, if not revealing work into the intimate psyche about this brilliant and complex woman who all acknowledge now of being way ahead of her time. Reading this book, Hurston fans will slake thirst, appease hunger, and get a better flavor to what has been cooked up about her....real or imagined. What better way to shed light than to illuminate periphery than with the vivid letters she wrote?

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Wrapped in Rainbows: The Life of Zora Neale Hurston Review

Wrapped in Rainbows: The Life of Zora Neale Hurston
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Wrapped In Rainbows is the biography of literary giant, Zora Neale Hurston and
chronicles her life from early childhood to her death in 1960. Valerie Boyd
does an excellent job with her subject and her extensive research is apparent.
Boyd paints a wonderful picture of Zora as a free spirit who has two loves,
writing and black folklore. Zora's years of researching the folk history of
black people is depicted as well as her burning desire to merge her two loves.
Animated and full of spunk, Zora's story is told through the eyes of people who
knew her and the back drop of American history.
The Harlem Renaissance is also featured in glorious detail interspersing Zora's
friendships and kinship with many of the writers and artists of that era and
with the white patrons of black art and literature. Zora loved Harlem and in
some of the descriptions in the book, the reader can almost see Zora strolling
the streets of "Harlem City" as she affectionately called it.
Fans of Zora Neale Hurston will thoroughly enjoy this account of her life and
those who are unfamiliar with her will long to read her work. Wrapped In
Rainbows is beautiful tribute to an awesome talent.
Reviewed by: Diane Marbury (HonestD)

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Zora Neale Hurston: A Life in Letters Review

Zora Neale Hurston: A Life in Letters
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You'll fall in love with Zora through the letters that she wrote from the early 20s until her death in 1960. A compelling and fascinating woman who didn't leave much unsaid. The letters still brim with vitality and energy and reflect the character of a woman way ahead of her time.

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" I mean to live and die by my own mind," Zora Neale Hurston told the writer Countee Cullen. Arriving in Harlem in 1925 with little more than a dollar to her name, Hurston rose to become one of the central figures of the Harlem Renaissance, only to die in obscurity.Not until the 1970s was she rediscovered by Alice Walker and other admirers. Although Hurston has entered the pantheon as one ofthe most influential American writers of the 20th century,the true nature of her personality has proven elusive.Now, a brilliant, complicated and utterly arresting woman emerges from this landmark book.Carla Kaplan, a noted Hurston scholar, has found hundreds of revealing, previously unpublished letters for this definitive collection; she also provides extensive and illuminating commentary on Hurston's life and work, as well as an annotated glossary of the organizations and personalities that were important to it.From her enrollment at Baltimore's Morgan Academy in 1917, to correspondence with Marjorie Kinnan Rawlings, Langston Hughes, Dorothy West and Alain Locke, to a final query letter to her publishers in 1959, Hurston's spirited correspondence offers an invaluable portrait of a remarkable, irrepressible talent.

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Zora Neale Hurston: A Literary Biography Review

Zora Neale Hurston: A Literary Biography
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I studied Zora Hurston in a Southern women's writer's class and fell in love with her wit, truthfulness, cattiness, and charm. She's one of the best, if not the best, black women writers of the past. She keeps her writing in the southern black dialect that makes it most appealing and real. I have all her books, words on cassette, and a video, "Zora is My Name." This book is good to use for a discussion group.

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Their Eyes Were Watching God & Mules and Men Review

Their Eyes Were Watching God and Mules and Men
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"There Eyes Were Watching God," by Zora Neale Hurston, is widely acknowledged as a beloved classic of American literature. This novel is truly one of those great works that remains both entertaining and deeply moving; it is a book for classrooms, for reading groups of all types, and for individual readers.
In "There Eyes," Hurston tells the life story of Janie, an African-American woman. We accompany Janie as she experiences the very different men in her life. Hurston's great dialogue captures both the ongoing "war of the sexes," as well as the truces, joys, and tender moments of male-female relations. But equally important are Janie's relationships with other Black women. There are powerful themes of female bonding, identity, and empowerment which bring an added dimension to this book.
But what really elevates "Their Eyes" to the level of a great classic is Hurston's use of language. This is truly one of the most poetic novels in the American canon. Hurston blends the engaging vernacular speech of her African-American characters with the lovely "standard" English of her narrator, and in both modes creates lines that are just beautiful.
"Their Eyes" captures the universal experiences of pain and happiness, love and loss. And the whole story is told with both humor and compassion. If you haven't read it yet, read it; if you've already read it, read it again.

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Zora Neale Hurston : Folklore, Memoirs, and Other Writings : Mules and Men, Tell My Horse, Dust Tracks on a Road, Selected Articles (The Library of America, 75) Review

Zora Neale Hurston : Folklore, Memoirs, and Other Writings : Mules and Men, Tell My Horse, Dust Tracks on a Road, Selected Articles (The Library of America, 75)
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This book and its companion from the library of america, have everything that Hurston wrote - except some unedited manuscripts, and some articles and short stories.
Her interest in language, folklore and ritual, and the cult of local color comes through in all of her works. The personalities and struggles, failures and victories of all of her characters become real for the reader.
She is writing earlier in the 20th century, when people were starting to buy radios and automobiles -- she saw a lot of the south, and north, rapidly transform into the beginnings of the consumer culture we know today.
When I read Hurston, it is like I feel an anxiety to preserve. I sense a underlying insight, that she probably had, that within a couple of generations, the rhythm of life would radically change.
I think she saw that a lot of the folk traditions and rituals in North America would disappear, so she did what she could to demonstrate a vibrant african american cultural life, as she knew it, and interpreted it.
The two collections of Hurston's work show the span of her writing, over her lifetime. These pieces reveal how many of her imagination and many of her themes and character-types evolve over the years.
I recommend the two volumes.

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Mules and Men (P.S.) Review

Mules and Men (P.S.)
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Although she really was born in Georgia, Hurston considered Eatonville, Florida her hometown. She originally wrote this work as a play with Langston Hughes. They had planned to call it "Mule Bone," but the two had a falling out prior to staging the work. The theater world's loss was actually the literary and folklore world's gain, and this book is a terrific study of black folklore from Florida and Louisiana. The book has wonderful folktales and descriptions of rootwork, and once the reader becomes acclimated to Hurston's use of black English, it is a pleasure to read. Hurston provided rich commentary by embedding the texts into a narrative about doing fieldwork in the 1920s. It's worth noting that Hurston compressed the amount of fieldwork time in this book as she had spent much more time in Florida than she presents in this work. It's important to keep these types of literary devices in mind when reading her book as she includes lots of allusions, hidden meanings, and clever wordplays to develop fascinating commentary on folklore.

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