Average Reviews:
(More customer reviews)Run by evil hellbreed and their human Trader partners, the Cirque de Charnu (Circus of Flesh) uses flashy trappings and promises of pleasure to lure suicidal humans to their deaths ... or worse. Under an ancient agreement between the Cirque and the hunters -- humans who protect their fellows from supernatural evil -- there will be no interference with the Cirque as long as it only consumes those who come to it voluntarily. The Cirque guarantees its good behavior with a hostage whose life will be forfeit if the Cirque steps out of line.
The Cirque has returned to Santa Luz after an absence of nearly a century, and though hunter Jill Kismet is none too happy to receive it, she knows the rules. Sanctuary minder Galina remembers that something bad happened the last time the Cirque was in town, but she can't recall what it was or who was involved. When someone or something attacks the hostage, threatening to throw the Cirque into dangerous chaos, Jill is reluctantly forced to defend the Cirque and track down the attacker. At the same time, a rash of non-demonic possessions, zombie attacks, and gruesome murders alerts Jill that one or more practitioners of "voodoo" are running amok in her town. Could there be a connection between the events of the past, the voodoo of the present, and the attacks on the Cirque?
FLESH CIRCUS follows the same formula as the previous books in this series, mixing supernatural creatures, violent action, noirish private-eye cliches, gross-out humor, romantic tension, repetition (she describes her werecougar boyfriend Saul as Native American beefcake at least three times), and a bunch of seemingly unrelated narrative threads that get tied up in a neat little bow at the end. This novel improves on REDEMPTION ALLEY by being more coherent and more inventive. On the other hand, it does very little with the rich possibilities of a hell-tainted circus. Worse, the use of voodoo (and the interest of the loa--the non-demonic voodoo spirits) are entirely unmotivated; why voodoo and not, say, kabbalah or mundane old black magic? In the end, it's a typical book in the series, likely to appeal to anyone who enjoyed the earlier volumes.
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The Cirque de Charnu has come. They will clean out the demons and the suicides, and move on. As long as they stay within the rules, Jill Kismet can't deny them entry. But she can watch--and if they step out of line, she'll send them packing.When Cirque performers start dying grotesquely, Kismet has to find out why, or the fragile truce won't hold and her entire city will become a carnival of horror. She also has to play the resident hellbreed power against the Cirque to keep them in line, and find out why ordinary people are needing exorcisms. And then there's the murdered voodoo practitioners, and the zombies.An ancient vengeance is about to be enacted. The Cirque is about to explode. And Jill Kismet is about to find out some games are played for keeps...
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