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(More customer reviews)The three novels that comprise the Snopes trilogy, The Hamlet, The Town, and The Mansion, were published over a thirty year span of Faulkner's career. For this reason these books, now published in a single Modern Library volume, provide an incedible insight to Faulkner's evoloution as a writer. At heart, these works are concerned with the rise to power and influence of the Snopes family in Faulkner's mythical town of Jefferson. The Snopes are complete embodiments of evil, and their unique brand of deviousness and complete lack of scruples allows them to overwhelm the inhabitants of the town. The reaction of these people against the tide of corruption, their resistance to this Snopish threat is central to this work. And at the base of all three is a changing attitude toward the Snopish absurdities and evils of the human condition, an attitude that evolves from fierce repudiation to cooperative antagonism. Perhaps these are not the greatest of all the great work that Faulkner produced in his career, but the depth of human understanding and characterizations that are the superlatives applied to Faulkner's work are here in force.
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Here, published in a single volume as Faulkner always hoped they would be, are the three novels that comprise the famous Snopes trilogy, a saga that stands as perhaps the greatest feat of Faulkner's imagination. The Hamlet, the first book of the series chronicling the advent and rise of the grasping Snopes family in mythical Yoknapatawpha County, is a work that Cleanth Brooks called "one of the richest novels in the Faulkner canon." It recounts how the wily, cunning Flem Snopes dominates the rural community of Frenchman's Bend—and claims the voluptuous Eula Varner as his bride. The Town, the second novel, records Flem's ruthless struggle to take over the county seat of Jefferson, Mississippi. Finally, The Mansion tells of Mink Snopes, whose archaic sense of honor brings about the downfall of his cousin Flem. "For all his concerns with the South, Faulkner was actually seeking out the nature of man," noted Ralph Ellison. "Thus we must turn to him for that continuity of moral purpose which made for the greatness of our classics."
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