Blood on the Forge (New York Review Books Classics) Review

Blood on the Forge (New York Review Books Classics)
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William Attaway's BLOOD ON THE FORGE powerfully depicts both the Black migration to the industrial north after WWI and the startling hell-like environment of the vast iron & steel works of the era. No other writer--novelist, sociologist, historian--has ever captured so well the compelling, visceral experience of the humans working these sacrificial jobs. As Attaway walks us through the vast furnace & forge areas of the works, our own skin scorches along with that of his worker-protagonists. We become party to the daily struggle to survive the most appalling working conditions.
This novel deserves a place on the highest level of our American esteem. It's tragic Attaway was unable to produce more work, since both his vision of the American experience and his fictive language were intense, revelatory and precious to anyone wishing to know and acknowledge this nation's true industrial and racial history.

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This brutally gripping novel about the African-American Great Migration follows the three Moss brothers, who flee the rural South to work in industries up North. Delivered by day into the searing inferno of the steel mills, by night they encounter a world of surreal devastation, crowded with dogfighters, whores, cripples, strikers, and scabs. Keenly sensitive to character, prophetic in its depiction of environmental degradation and globalized labor, Attaway's novel is an unprecedneted confrontation with the realities of American life, offering an apocalyptic vision of the melting pot not as an icon of hope but as an instrument of destruction.Blood on the Forge was first published in 1941, when it attracted the admiring attention of Richard Wright and Ralph Ellison. It is an indispensable account of a major turning point in black history, as well as a triumph of individual style, charged with the concentrated power and poignance of the blues.

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