Showing posts with label italian literature. Show all posts
Showing posts with label italian literature. Show all posts

Little Novels of Sicily Review

Little Novels of Sicily
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The whole world is a small town is a sicilian phrase that means no matter where you travel, people will be basically the same. Reading this work by G. Verga gave this saying a whole new meaning for me. I learned that people in Sicily are basically the same today as they were 120 years ago. Giovanni Verga was born and lived in a small town in Sicily called Vizzini. This is the same town that my parents are from. I have spent many summers with my grandmother there. The distant past was always portrayed as somehow better by my grandmother. According to her, our ancestors did not succomb to petty human weaknesses. After enjoying these short stories I realize that my grandmother remembered her youth more with nostalgic fantasy than historic accuracy. This work wonderfully portrays human motivations, strenghts and weaknesses. It was a wonderful revelation to realize that the whole world is a small town, not only in the dimension of space but also in the dimension of time.

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FIRST PUBLISHED in a single volume in 1883, the stories collected in Little Novels of Sicily are drawn from the Sicily of Giovanni Verga's childhood, reported at the time to be the poorest place in Europe. Verga's style is swift, sure, and implacable; he plunges into his stories almost in midbreath, and tells them with a stark economy of words. There's something dark and tightly coiled at the heart of each story, an ironic, bitter resolution that is belied by the deceptive simplicity of Verga's prose, and Verga strikes just when the reader's not expecting it.Translator D. H. Lawrence surely found echoes of his own upbringing in Verga's sketches of Sicilian life: the class struggle between property owners and tenants, the relationship between men and the land, and the unsentimental, sometimes startlingly lyric evocation of the landscape. Just as Lawrence veers between loving and despising the industrial North and its people, so too Verga shifts between affection for and ironic detachment from the superstitious, uneducated, downtrodden working poor of Sicily. If Verga reserves pity for anyone or anything, it is the children and the animals, but he doesn't spare them. In his experience, it is the innocents who suffer first and last and always."The Little Novels of Sicily have that sense of the wholeness of life, the spare exuberance, the endless inflections and overtones, and the magnificent and thrilling vitality of major literature."-- The New York Times"In these stories the whole Sicily of the 1860s lives before us . . . and whether his subject be the brutal bloodshed of an abortive revolution or the simple human comedy that can attend even deep mourning, Verga never loses his complete artistic mastery of his material."-- The Times Literary Supplement

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Cavalleria Rusticana and Other Stories (Penguin Classics) Review

Cavalleria Rusticana and Other Stories (Penguin Classics)
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Verga is one of the 19th Century's greatest writers, and it's a shame he isn't better known in the English-speaking world. Stories such as Jeli the Shepherd and the She-Wolf are dazzling, deeply moving stories that rank amongst the best stories Chekhov ever wrote. The translation itself is superb. It is easily the best version of Verga in English.

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Introducing Cultural and Media Studies: A Semiotic Approach Review

Introducing Cultural and Media Studies: A Semiotic Approach
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Very good condition, postage and shipping process a bit slow and I was disappointed that the book was so cheap, but ended up costing nearly the same price of buying it new in a retail store because of the shipping charges, so I probably wouldn't buy something like that again.

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This second edition of the popular introductory textbook Tools for Cultural Studies, has been thoroughly revised and updated for a new generation of students taking introductory courses in cultural studies and cultural analysis at a tertiary level. It provides a solid grounding in the key terms and theories necessary for the study of popular culture and media texts. Without underestimating the complexity of the social, this text encourages a critical and inventive attitude to cultural theory and, through its practical step-by-step approach, is very confidence-building.

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