Over the Edge: Death in Grand Canyon Review

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(More customer reviews)This is a very well researched book that lists all of the people who have perished in the Grand Canyon.
The book is morbidly fascinating. It starts with tumbles from the top (what many visitors want to know about) and death on the trails. The book also covers air crashes into the canyon, drive-offs (think Thelma & Louise), river drowning, suicides, murder and a few other odd ways people have perished in the natural attraction Teddy Roosevelt said was the one site every American should visit in their lifetime. There are even one or two snakebite victims and two or so people who made tea from a deadly canyon flower with enough toxicity to kill a mule. Speaking of mules, the mule rides down the canyon trails are very safe when compared to other modes of enjoying the canyon. If you don't go in winter (when snow can bury the trail), I believe the record will show that mules never go over the edge.
The book is most interesting in the beginning. The topic of death and tragedy are new, and the deaths are the most shocking (including people who backed up right over the edge posing for pictures and men who went over trying to create their own waterfalls when nature called). One does get used to the constant morbidity and toward the end the air crash vignettes, suicides and murders lack the grip of the earlier free-fall victims. The authors also sometimes throw in annoying "got-cha" lines that seem out of place (but not too often to ruin the book).
Where this book is instructive is in its analysis of death in the canyon. Stupid behavior, ignoring warnings, not taking enough water on canyon hikes and swimming in the off-limits Colorado River account for about 90% of the deaths recorded. It is clear that the Grand Canyon could be remarkably safe if people exercised commonsense and obeyed park rules. It is also interesting to note that males perish way out of proportion to their numbers, indicating that risky and show-off behavior is still unfortunately our birthright.
This book would be an excellent read for anyone contemplating a hike into the canyon or river trip through it. I'm sure both the edges of the canyon and the river looked placid and safe for too many would be adventures that wound up as statistics in this book. Just obeying the rules (stay behind the railings, take recommended amount of water, don't swim in the Colorado) would have saved a lot of lives. Those visiting soon would be well warned by the mishaps listed from typical "vacation" and adventurous behavior that the Grand Canyon can be a killer if not respected.
Even with the 500 plus deaths recorded in the book (not counting air crashes) it is important to note that the Grand Canyon remains a safe place to enjoy one of nature's great monuments. With the millions of visitors who have taken in its charms, statistically it is not much more dangerous to the average visitor than a walk in the park. But for those who exercise extremely bad judgement it can be a killer.
This is a recommended read -- fascinating, enjoyable and with worthwhile lessons.

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The Jewel Trader of Pegu: A Novel (P.S.) Review

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(More customer reviews)I was delighted when I received an Advanced Readers Copy of "The Jewel Trader of Pegu" by Jefferey Hantover to review. Everything about the description of this book enchanted me. It looked like it would be a tantalizing and sensuous mix of literary delights: an adventure story set in the 16th century Burmese Kingdom of Pegu, a tender romance with ancient multiracial and multireligious overtones, a thinking-reader's tale rife with thematic undercurrents, and a work of dreamy and lyrical prose.
I finished the novel easily in one day. The experience was pleasant enough, but the book left me feeling sorely disappointed. It wasn't the ending that disappointed. Rather, it was the insubstantial literary weight of the entire work. I wanted to like this work. There was great promise, on multiple levels, but none of the parts measured up. The novel left me feeling empty.
Typically, I write a review within a day or two after finishing a book. But I didn't for this book. Instead, I kept waiting. I let almost a week go by hoping time might provide further insight that I could use to appreciate this book in a better light. But the more time passed, the more I found myself finding even greater fault with this work.
On the good side, the author succeeded in giving me an intriguing glimpse of two separate late-16th-century worlds: the Jewish Ghetto of Venice, and the Southeast-Asian Kingdom of Pegu. But even here, I felt cheated. I wanted much more detail. Historical fiction typically takes its readers deep into the culture, politics, economy, technology, and customs of a new world. This book merely gave an overall feeling for the times. That might have been all right, if the novel had delivered convincing deeply wrought main characters. But here, too, I felt let down. For me, none of the characters came to life. They weren't flat. They were just not real three-dimensional human beings. Frankly, the main characters, Abraham and Mya, were nothing more than flimsy fantasy--too perfect to be real.
The inspiration for the story evidently came from a single sentence in an unnamed Southeast Asian history book: "In Pegu and other ports of Burma and Siam, foreign traders were asked to initiate brides." From this one source, the author builds the entire scaffolding for his novel. But I found his framework to be little more than a house of cards. I was completely unable to buy into the author's fantasy of what this sentence might suggest. The more I thought about it, the more upset it made me. How dare the author create a fictional history on so little evidence? To me this idea seemed little more than a late-night sailor's tale that somehow made its way into some obscure history tome. But perhaps more important, is how poorly the author succeeds in making us believe these rituals: the deflowering of ancient merchant-class Burmese brides by foreign traders in order to bring their families good luck. Nonsense!
The novel did have one significant redeeming quality: the prose was fresh, reflective, and at times delightfully lyrical.
In the end, this novel was nothing more than a light sensual soft-core romance-- uncommon in its unusual ancient multicultural setting, but nonetheless very forgettable.

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